1942年8月7日，两名二次世界大战时期的卓越,杰出,出众,出色战斗机飞行员，在太平洋的瓜达卡纳岛上空交锋并相撞。两名飞行员之间激烈的空战，是二次世界大战的对决经典之一；令人讶异的是，美国海军飞行员詹姆斯苏德兰与日本皇家海军的王牌飞行员酒井三郎都逃过一劫，得以透露当时惊险的交战过程。本节目采用先进的电脑动画及珍贵的历史画面，带领观众体验空战的刺激与危险。

　　探索频道制作，关于2013年11月袭击菲律宾的超强台风“海燕”的纪录片。

军事物品寻宝家鲍伯查特和伙伴欧文索顿投注热忱,热诚,热心,热切、赌上金钱和名声，展开永无止尽的搜集之旅，找寻令人向往的罕见军事物品。在Discovery频道的《古 董军武》节目中每集单元里，观众可以见识到各式的军事收藏品，包括战车、珍贵的美国大兵人偶、二次大战的火焰喷射器、海珊的宣传横幅和越战时期的直升机， 鲍伯和欧文将为客户找到理想的收藏品。这两位军事收藏品达人绝不轻言舍弃,抛弃,割舍,摒弃，即使面临,直面,应对,应付重重困难，他们仍竭尽所能地搜寻,寻觅,查找,探寻！

　　《亲爱的白种人》是一部反映美国“后种族歧视”时代的讽刺喜剧，故事出现,产生,形成,酿成在一所知名的常春藤大学，安静,宁静,沉静,恬静的表面下藏着激烈的种族矛盾，学子,门生,弟子,学员们既要搜寻,寻觅,查找,探寻身份认同，又要培养独特个性，而这也是一个普世议题。这部讽刺剧集延续了 2014 年备受赞誉的同名电影的故事，跟随温彻斯特大学的一群黑人学子,门生,弟子,学员展开一幅幅关于社会不公、文化偏见、政治正确（或缺少政治正确）和被误导的激进主义的千禧年画卷。《亲爱的白种人》通过荒诞的视角，用尖锐的讽刺、幽默自嘲和略显残酷的坦诚态度反映困扰当今社会的问题，欢笑始终贯穿其中。

　　今年的公告牌颁奖典礼将于5月1日在拉斯维加斯的米高梅花园体育馆举行，Kelly Clarkson将作为主持人回归。饶舌女歌手Cardi B获得21个奖项提名，刷新美国公告牌BBMA大奖史上“女性艺人单次颁奖礼收获提名最多”这一新纪录。另有Ariana Grande获得了 最佳公 告牌百大单曲榜艺人、最佳社交艺人等9项提名。Mariah Carey将被授予“Icon Award”偶像大奖，同时也会带来她的大热金曲串烧表演。

　　帕顿·奥斯华迈入 50 岁，他重新成婚,完婚,婚配,嫁娶、购置新房，还在丹尼斯餐厅经历了一场生存恐惧。在这部最新的单口喜剧特辑中，他叙述,阐述,陈述,描写了日常,生存,生计,日子如何匆匆地与自己擦肩而过。

　　笑匠亚历克斯·费尔南德斯經常提到自己的故事，這回也不例外，但在講到家中共有六位手足時，他娓娓道出一位哥哥的故事，使這段表演更有深度。

　　Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice” and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love.
　　Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters.
　　Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father.
　　Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died.
　　Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.

　　Nicholas Crane rediscovers the 'lost' masterpiece Britannia on an epic 5000 mile hike battling the elements in search of Elizabethan Britain.

　　Ben Robinson retraces the dramatic last days of King John, England's most disastrous monarch, and uncovers the legend of his lost treasure.
　　Ten days took King John from ruler of an empire to sudden death, and left the kingdom in ruins. John is famous for the creation of Magna Carta, which inspired our modern democracy.
　　Ben follows in the footsteps of the King's epic last journey, from the treacherous marshes of East Anglia, through Lincolnshire and Nottinghamshire, to his final resting place in Worcester. He is joined by medieval historian professor Stephen Church.
　　Together they examine the truth behind the legend that has lived on for 800 years. Did the crown jewels really end up in the mud of the Wash? Was the King poisoned? Does he deserve his reputation as our most disastrous monarch?
　　Thanks to unique documents, we can tell this epic tale in the King's own words. Not only can we get into the mind of the Magna Carta King, we can reveal in fantastic detail how and where he travelled.
　　Ben reveals what happened when treasure seekers attempted to find the King's lost jewels with the help of a diviner. And using the latest technology reveals how we can actually see back in time to reveal the landscape as it would have looked when King John made his last journey 800 years ago.

　　Historian Dr Micheál Ó Siochrú presents award-winning director Maurice Sweeney’s gripping docudrama, which re-evaluates the role and character of England’s most influential democrat. Cromwell: God’s Executioner has drama, excitement and action, combined with a poignant reflection on the horrors of war. If you thought you knew Cromwell, think again.

　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

　　“The Silence before Bach” is an approach to music and the trades and subjects that surround it through Bach’s works.
　　A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of the narration in its own right.
　　The film springs from a previously defined musical structure.  The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s sonatas to create an architectural vault beneath which the story of the film unfolds ; a promenade through the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.

　　“维多利亚的秘密”创立于20世纪70年代，由RoyRaymond在旧金山创建。RoyRaymond在建立该品牌之初，旗下已拥有三家店铺，因其在1982年推出的产品系列，使该品牌成为一个具有争议性的高级品牌。
　　“维多利亚的秘密”的成就,胜利,凯旋,成果很大程度上归功于GraceNichols，她于1986年成为该品牌的副总裁、市场经理，1988年又被提升为执行副总裁，1991年成为总裁和首席执行官。在她的领导下，“维多利亚的秘密”一举成为全球顶级品牌之一，并且位居世界内衣专业之首。
　　Victoria's Secret 维多利亚的秘密，一个风靡全球的世界顶级内衣品牌，一年又一年地创造着时尚界内衣秀的奇迹。2005年，Victoria's Secret开创性地与电视、网络等媒体合作，在美国国内推出电视时尚内衣秀并定于每年举办一次，节目的新潮时尚、美丽,优美,秀丽,姣好动人不意外地在世界范围内引起狂潮，并使得“维多利亚的秘密”这个品牌名声大噪。Victoria's Secret Fashion Show每一年都在挑战人类创造力与想象力的极限，以至于人们每年都认为下一年的时尚秀无法再超越。然而，Victoria's Secret就是这样一个可以创造神话的品牌，她的时尚内衣秀一年比一年惊艳、性感。
　　在Victoria's Secret Fashion Show上，内衣似乎早已经超出了她们原本存在的意义，而成为构筑一场宏大而瑰丽的童话意境的元素。一年一度的Victoria's Secret Fashion Show也似乎超越了一场秀的理解，而更像是一出声势浩大的百老汇舞台剧。
　　在这个神话舞台上演出的也都不是凡人。能够荣登该秀T型台的模特都是在世界范围内精挑细选的顶尖人物，每一个都是光彩熠熠、吸引眼球的性感尤物。

　　Truth & Iliza是一档美国的深夜脱口秀节目，由喜剧演员Iliza Shlesinger制作并担任主持。每一集Iliza都会邀请不同的嘉宾进行对谈、进行辛辣的新闻讽刺、表演单口以及出演小品，以令人捧腹的方式把时事政治和流行文化巧妙结合。
　　本节目与她2014年至2016年主持的播客节目同名，于2017年5月2日首次在Freeform平台播出。

　　托马斯·米德蒂奇和本·施瓦茨为全球观众献上他们的二人喜剧节目《两个男人一台戏》。这是三部完全即兴制作的 Netflix 喜剧特辑，每一场演出都完全根据一条随机的观众建议进行。全部三个部分都拍摄于纽约大学斯科博表演艺术中心，于 2020 年 4 月 21 日在 Netflix 上首播。
　　
　　《两个男人一台戏：理想的职业,事业,工作岗位,职责》
　　叙述,阐述,陈述,描写了两个伙伴,好友,挚友,密友的故事，其中一人要参加一场重要的职业,事业,工作岗位,职责面试，这场面试演变成了一场存在主义危机，其中涉及摄影、《纽约时报》和肯尼迪机场的卫生间隔间。在一连串滑稽事件的结尾，凯尔和索辛境遇相同，两人都没有找到理想的职业,事业,工作岗位,职责，但都明白了“小羚羊”所蕴含的深层含义。
　　
　　《两个男人一台戏：魔法法学院》
　　二人组遇到一个打算遗弃小孩并对魔法产生些许兴趣的外星人，这起初是一场一年级法学子,门生,弟子,学员参加的恐怖期末考试，随后迅速演变成对人类道德的考验。《早餐俱乐部》与《纳尼亚传奇》在虚构课堂中相遇，该课堂旨在明白,明了,知晓,理解纸质合同与数字合同之间的区别。
　　
　　《两个男人一台戏：停车场婚礼》
　　在婚礼前和婚礼期间，牧师、幽灵、新娘和新郎的父母都非常放松。跟随托马斯和本步入走廊，他们编造了一个引人入胜的情景（六年级恋人的故事、一场失利,挫折,受挫,败北的抢劫，以及对真爱的终极考验）。