欧文（贾斯蒂斯·史密斯 Justice Smith 饰）和麦迪（布里盖特·伦迪·佩恩 Brigette Lundy-Paine 饰）因一档深夜超自然节目而结缘，然而这档节目却神秘地被取消了，在暗淡的电视灯光下，他们对现实的看法起始,开端,肇始,启始变得模糊不清。

　　Siccin 5 tells the story of a family returning to their nightmare after the ceremony that took place years ago. Hale is a young girl of 12 years old and lives in a historic house in Nevsehir- Turkey with her family.

　　Due to financial problems, Yilmaz family moves in their grandmother Saadet's house. But Saadet is not living alone as known. Saadet's old house, which is also a tomb of her deceased husband, is inhabited by beings from another dimension. And this beings don't want anyone in the house, but Saadet.

　　本剧改编自宫部美雪的小说，叙述,阐述,陈述,描写了日本桥通町一膳饭店的看板娘阿初从小开朗活泼，但以某事件为契机觉醒了能看见听见一般人看不见听不见的东西的通灵力量，从此与草食系武士学徒古泽右京之介组成凹凸搭档，共同面临,直面,应对,应付并挑战怪异奇谈事件。最先是死去的男人苏醒了，不久后又出现,产生,形成,酿成了被认为是死人附身所致的杀人事件。杀人事件和死人附身，忠臣藏和颤动岩，两个谜团剧烈地起伏着，呈现,显现,体现,展现,呈现,显现,体现出了意想不到的联系…

　　A young woman tries to find her origins after having been abandoned as an infant at a cemetery wrapped in a cloth with satanic symbols, but as she gets closer to answers a malevolent spirit is telling her to leave.

　　台灣七O年代溫馨感人的電影。
　　劇情描述一對夫妻生性純樸，兩人極為恩愛，婚後不久，老公更是擁有一台難得的貨車。沒想到原來老公陽壽已盡，因此有鬼差前來，要抓他到陰間報到。這兩個鬼差個性惡劣，貪財又愛欺負人，對夫妻倆極盡刁難。老婆為救心愛的老公，一反平常膽小的個性，決定鼓起勇氣，對抗這兩個鬼差……

　　故事背景设定在全球最猛闹鬼邮轮「玛丽皇后号」，如今以闹鬼而闻名的它，在1930年代晚期是足以媲美泰坦尼克号的豪华邮轮。本片故事描述1938年万圣节夜晚，一个家庭搭乘玛丽皇后号展开远洋旅程途中所经历的恐怖事件，而他们的经历,碰到,遇到,邂逅意外影响了另一个在现代登上玛丽皇后号的家庭。

　　A nurse taking care of her daughter's mysterious affliction struggles to hide her secrets when uninvited strangers take shelter in her house during a lethal blizzard.

　　一位医生拥有一具叫做品，皮肤薄如蝉翼，可以看清楚肌肉与器官的栩栩如生的假人。借助腹语，品可以用通俗易懂的方式向孩子们叙述,阐述,陈述,描写身体的构造与运作机制。医生夫妇在车祸中死后，他的孩子,男孩,少年,男童李昂将他假想种的密友转移到了品的身上。他起始,开端,肇始,启始以品为借口用各种极端的方式过分地庇护,维护,呵护,护卫他的妹妹乌苏拉，让她远离爱慕者。

　　一个性感的搭车者，称自己露辛达，对毫无戒心的停车援助,协助,辅助,助力她的人展开了杀戮……

　　一位粉丝逐渐壮大的网络女主播发现自己的帐号被一个与她长得很像的人盗用了，他必须找到这个神秘的入侵者并夺回属于她的身份....

　　黒魔術を操る美少女・黒井ミサの活躍を描く人気コミック「エコエコアザラク」の劇場版第5弾。“破壊の悪魔・エゼキエル”の復活を予言する黒魔術教団のリーダーの指令を受け、とある田舎町にやってきたミサ。この町では、1年前に多数の犠牲者を出す不可解な事故が起きていた……。黒井ミサを演じるのは、「ラブコン」「夜のピクニック」の近野成美。赤をイメージした本作「R-page」と、黒をイメージした「B-page」が同時公開される。

　　9个表面上毫不相关的陌生人被绑架到一间房子里。一个神父，一个警察，一个舞蹈演员，还有作曲家和他的妻子，一个时装设计师，一个网球明星，一个犯人，还有一个黑人。无奈之下展开了一场相互残杀的赌命游戏：9个人被抓到了一间封闭而没有出口的屋子里，并被告知：愿与不愿都要互相展开一场人性游戏大战。唯一活着的人，就能走出这间屋子，并能获得500万美金的奖励，但也意味着要杀死其他的8个人，于是在绝望和渴望,期望,盼望,企望并存中起始,开端,肇始,启始了一系列人性的大暴露。在金钱与利益面前，人，总是把持不住。当最后一人以为游戏终结,告终,完结,终止，带上500万走出房子时，殊不知，走进了另一个深渊。究竟他们会如何抉择呢？

　　On leaving work, while Darío Manzano is taking drugs in the car, he receives an unexpected visit from Ginés Chega. At the same time that he points a gun at Darío´s face, he asks about his friend Abraham "El Gitano", whom he accuses of having stolen a lot of money.
　　Manzano, without knowing what happened, cannot answer anything about it, and Ginés angrily gives Darío a head butt on the nose while threatening him and leaves.
　　Darío with a broken nose, starts looking for his friend. When he finally finds him, very angry, he reproaches Abraham for stealing from Los Chega, very dangerous people. Trying to find a solution, Darío decides to take Abraham to France so that they will not find him.
　　That night, during the car journey, Darío suffers a stroke that will cause him to lose control, leaving the road and causing the death of Abraham.
　　After a few months, the advances in Darío's rehabilitation begin to show results. But everything begins to go wrong due to the accumulation of different events that will put Darío and his family in trouble: defaults with the bank, tensions between them and the imminent sentence of the trial for the accident. To this is added, the pressure from Los Chega to Darío to recover his lost money, since the night of the robbery, Abraham was in the car with Manzano when he suffered the accident.
　　As a consequence of this, Manzano will live a few hours prior to his entry into prison frantic and full of danger, where he will try to defend, TO THE TEETH OF A DOG, his family.

　　一组科学家被派到南非的一个沙漠中进行一项调查职业,事业,工作岗位,职责。在那里他们碰到了一种不明生物以及一堆埋于沙漠中的尸体。而他们也遭到不明生物的袭击。一场冒险和人兽斗就于这个沙漠中展开。究竟他们能否逃脱这个不明生物的魔掌呢

　　Les habitants d’une tour de cité découvrent un matin qu’un voile noir obstrue toutes les fenêtres et la porte d’entrée de l’immeuble. Un voile noir qui dévore tout ce qui tente de le pénétrer…

　　Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing.
　　Set in a family hotel in Northern Italy in 1945, the film concerns Rosa (Leonora Fani), who helps her mother run the hotel while awaiting her soldier father's return from the front. In a Barilli film, nothing is as it seems, and before long Mom (who is sleeping with a traitor she's hidden in the attic) is murdered. Then poor Rosa is raped by two of the guests, who also are murdered, and while she's hiding the bodies she is forced into an orgy by all of the other guests. But before the guests get to far a mysterious man enters all shots the guests. Who is this mysterious man and what are his intentions for Rosa?
　　Like all the best gialli, Pensione Paura completely dispenses with logic early on, elevating weirdness to nearly operatic levels while absorbing the viewer in a thick and spellbinding atmosphere of mounting dread. Francisco Rabal co-stars with Luc Merenda, Lidia Biondi, and Jose Maria Prada.

　　一对男女爱恋,相恋,恋情,恋慕,相恋,爱恋,热恋，男主人公，开车（好像是摩托车）带女的出外游玩遇到下雨天躲进一个似乎是山洞的地方避雨（里面有些怪异的塑像），两人在那里出现,产生,形成,酿成了关系，就在这时一个鬼魂上了女方的身，怀上了鬼胎，鬼胎出生后长大到5 6岁时候有人欺负她的妈妈,母亲大人,娘亲,老妈妈这个小女孩就在晚上杀这个坏人（还杀过其他人），女孩杀人前都是爬在自己的房间的地板上身材变大的。面相很恐怖两颗白色獠牙漏在唇外。后来似乎把他爸爸,父亲大人,爹爹,老父亲也杀了，但是没有杀她妈妈,母亲大人,娘亲,老妈妈

　　路易斯带著一亲人,亲属,眷属,家属从城市迁居到缅因州的乡间小镇起始,开端,肇始,启始，由于家门前经常有卡车飞驰，附近的宠物常经历,碰到,遇到,邂逅被碾死的悲剧，然后被葬在附近的印第安墓园。而这座墓园也因此被称作宠物坟场。不幸的是，路易斯·克里兹的爱女也惨死车轮之下，同样被葬在宠物坟场，他的亡魂却被起死回生成为恐怖的杀人魔，宁静的小镇不再宁静。

　　A young woman goes searching for her missing artist father. Her journey takes her to a strange Californian seaside town governed by a mysterious undead cult

　　J.G. Ballard的小说...无语...
　　Most Remarkable Film I Have Ever Seen
　　While definitely not for everyone, this movie effectively captures J.G. Ballard's difficult novel of the same name. More visual than literal, The Atrocity Exhibition forces the viewer to re-think the art of film and of story telling. It effectively communicates in a new language that caused some who saw it to declare that it 'changed their lives'. It changed mine as well, although I'm not exactly sure in what way. And while I can't say that I completely 'got ' the story, the story that I got was fascinating and one that I can't forget. I've since read the book and that certainly helped, but it wasn't necessary to enjoy the film. This film stands as one of my favorites alongside the best works of Kubrick, the Coen brothers and Hitchcock.