薇吉娜（梅丽莎·苏·安德森 Melissa Sue Anderson 饰）就读于一所贵族学校之中，加入了学校里的一个小团体。这些有钱人家的小孩进入学校根本就不是来好好读书的，整天吃喝玩乐胡作非为，尚不懂事的薇吉娜只想尽快的能够融入这个团体，并没有想到他们所做的事情是多么的危险和荒唐。
　　薇吉娜18岁的生日很快就要到了，她打算召开一个盛大的派对，可是，当她想要邀请自己的同学们时，却发现她们一个接着一个的不见了踪影，这让薇吉娜非常的担心。因为曾经，薇吉娜在一场意外中大脑受伤，因此接受了大脑移植手术，她一直猜疑,疑惑,质疑,存疑自己的脑袋里隐藏这一个嗜血的杀手。

　　可怕的怪兽在废弃矿坑被埋了七十年，如今终于逃脱而出，而只有老年人才知道它的恐怖！

　　Ian Stone（Mike Vogel 饰）最近的日常,生存,生计,日子陷入了一片混乱：每一天，在时间终止,中止,停顿,暂停的瞬间，他总会被不知名的怪物杀死，尽管“死后重生”，他又会以不同的身份起始,开端,肇始,启始新的日常,生存,生计,日子，办公室的小职员、出租车司机、吸毒者……，但是死亡的命运却不可抗拒。
　　在如噩梦般的日常,生存,生计,日子中，唯一不变的是他的女伙伴,好友,挚友,密友Jenny（Christina Cole 饰），用不同的身份出现在他身边，还有一个神秘的老人，试图告诉他事实的真相。
　　Ian Stone渐渐发现，Jenny才是怪物们的目标，只要Jenny还活着，他就不用回到暗无天日的过去。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb

19世纪的严冬，一艘船在一个与世隔绝的贫寒,贫困,穷困,贫乏村庄附近经历,碰到,遇到,邂逅意外沉没，而村民们为是否救助船员而陷入了两难的境地，因为这个村庄能过冬的物资也不多了。随着时间的流逝，村民们发现他们正面临着他们的决心,打算,计划,准备所带来的可怕后果，不安的氛围弥漫在了整个村庄之中...

　　B级片恐怖大师约翰·卡朋特导演作品。一名女子遭到对面高层建筑的一名男子的偷窥，精神已经接近崩溃边缘，她起始,开端,肇始,启始求助警察并决心,打算,计划,准备自己追捕这名男子的行踪。

　　Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.
　　
　　"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.
　　
　　From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.
　　
　　The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.
　　
　　The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.
　　
　　Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.

　　影片分为两个故事，全部根据爱伦•坡的小说改编。
　　杰西卡（Adrienne Barbeau 饰）的丈夫厄尼斯特（Bingo O'Malley 饰）病入膏肓，精神病医生罗伯特（Ramy Zada 饰）与杰西卡有染。两人合伙撺掇厄尼斯特将数百万遗产留给妻子。这对男女最终如愿以偿，但恼怒,动怒,愤怒,气恼,动怒,震怒,暴怒的厄尼斯特再度复活，势要复仇……
　　摄影师罗德（Harvey Keitel 饰）的女友安娜贝尔（Madeleine Potter 饰）带回一只流浪的黑猫。黑猫的叫声让本就烦躁不已的罗德难以忍受。他一气之下杀死黑猫，却不曾想从此走入黑暗恐怖的噩梦之中……

　　An experimental drug that is supposed to reduce aggression has the opposite effect on a baboon that is being experimented on by a group of medical students and their professor. While they are playing a fantasy role-playing game in their research facility, the baboon escapes and begins hunting them down.

　　一名年轻的女子漫步在清晨无人的海滩上，突然，海滩如同活了一般把她往沙子里拖，她一边挣扎一般发出绝望的尖叫……警探哈里·考尔德(David Huffman饰)受命前往调查这一罕见的案子。唯一留在沙滩上的证物，只有一颗可能是某个受害者的眼珠。不久，一位老妇人玛丽安娜在海滩遇害。这个神秘恐怖海滩一个接一个地攻击人们。 受害者中大多数被吸到沙子里，消失得无影无踪，少数幸存者落下终身残疾。隐藏在海滩沙子下的...

　　长长的黑暗走廊，鲜红杂乱的涂鸦，蒙面飘过的黑衣人，厉声的惨叫，师生离奇死亡，一时间，整间学校人心惶惶。暑期，紧迫,焦虑,急迫,忧虑一年的同学终于可以放松心情露营，然而什么的纸条再度出现，传说中的杀神即将会到营区进行行动，谁是第一被杀的人？谁是最后一个被杀的人？凶手到底是谁……

　　70年代，传奇人物吉米·邦兹尽职尽责地守护着一个居民区的安全。在他的蔽护下，小区内一片安宁祥和，人们对这位举止沉稳、相貌不凡的“守护神”尊崇备至。可是，险恶,凶恶,歹毒,恶毒无时无刻不在觊觎着这片净土。邦兹万万没有料到，与他最亲密的友人正打算在小区内大做毒品交易。由于拒绝同这伙人合作，邦兹遭到他们的背叛与杀害。
　　斗转星移，日月如梭。20多年后的今天，昔日的小区在犯罪和毒品的摧折下满目疮痍。在人们的记忆里，吉米·邦兹已成为一个令人敬畏的传奇人物和象征美满,美好,完美,美善时代的神灵。他生前那所富丽堂皇的住宅——他的葬身之处——依然屹立，然而已空无一人、凋敝不堪。而且房子里经常闹鬼，那些贸然闯入的人们往往一去不回，再也没见他们出来。
　　也许是命中注定，背叛邦兹的伙伴,好友,挚友,密友之一耶利米的孩子,男孩,少年,男童们雄心勃勃的回到小区，买下邦兹的那所哥特式建筑，打算开一家夜总会。然而，埋葬在地下室内的邦兹依然阴魂未散，多年来，这含冤之鬼一直盘踞在这座阴森、空阔的楼房里，搜寻,寻觅,查找,探寻复仇的机会。兄弟俩对此一无所知，他们兴高采烈、迫不急待地搬进这所阴森的鬼屋，一心想着将它装修一新后开张大吉。
　　刚一跨进门槛，一连窜匪夷所思、令人毛骨悚然事件接踵而来。不久，这伙惊魂未定的年轻人才回过神来：吉米·邦兹的鬼魂正在追寻、报复那些背叛过他的人。
　　然而，邦兹阴魂的出动并非完全在于复仇，他依然念念不忘忠贞不渝的妻子珀尔以及他死后才出生的孩子,女孩,少女,千金辛西娅......

　　本片改编自英国作家阿瑟·柯南道尔的同名小说。叙述,阐述,陈述,描写了巴斯克维尔庄园流传着一个古老的传说，庄园的主人总是意外死于非命。福尔摩斯派华生前去调查，遇见了许多谜团，随着调查的深入，幕后凶手也在渐渐逼近……

　　本片是改编自知名作家惠利史崔柏(WhitleyStreiber)的畅销神秘小说，并由以《铁达尼号》荣获奥斯卡奖的配乐大师为本片谱写的配乐。一名政客和妻子夥同司机同时遇害，虽有多名可能的嫌犯，然而在现场却发现许多难以解释的疑点，死者的尸首皆有疑似遭动物撕咬的痕迹；亚伯芬尼饰演,出演,演出,表演,出演,担纲,担当侦办该起案件的警探，在锲而不舍的调查下，他循线追查到一群在钢铁厂职业,事业,工作岗位,职责的印地安人身上，这些离奇命案和他们又有何关联呢？

　　哈奇带着妻子林赛和孩子,女孩,少女,千金里贾纳正驾车走在路上，突然与一辆大卡车相撞，坠入山谷的溪水中。林赛和里贾纳幸免于难，哈奇被救上岸后已经断气，但他还是被送到附近的医院。多专职医生妙手回春，哈奇又走出了鬼门关。但是，一切可怕的事情也就从这一刻起始,开端,肇始,启始了。复生的哈奇变得判若两人，原来和蔼可亲，现在却残暴异常，并且无法控制自己。后来哈奇终于知道，他身上这股险恶,凶恶,歹毒,恶毒的力量来自另一位和他有过类似死而复生经验的人萨瓦哥，他是个心理变态的杀人犯，冥冥中的一股力量能使两人心灵相通。不但哈奇看到萨瓦哥所做的事，萨瓦哥也看到哈奇身边有林赛和里贾纳……

　　瑞克曼博士前往亞馬遜河探險時，意外發現一具不尋常木乃伊，經科學驗證發現這具木乃伊是以高達三百歲的年紀過世的！
　　
　　為了尋找木乃伊長壽秘密，基科藥廠決定贊助瑞克與蘇珊兩名博士帶領一支探險隊重回發現地。途中，直昇機被閃電擊中，緊急迫降傑瓜部落屬地，幸好直昇機駕駛馬克臨時解圍，使得探險隊可以在傑瓜族酋長提卡帶領下，前往神秘的蛇神納加屬地。
　　
　　就在此時，探險人員接二連三慘遭巨蟒攻擊，正當他們以為抵達先前探險隊駐紮營地可以安然無事時，卻赫然發現當地已無人員生還…。面對巨蟒無情吞噬，他們是否該繼續原本的計畫呢？！

　　镇上的居民被一个不明身份的武装团伙抓获。他们起始,开端,肇始,启始在人类身上做实验，但由于一些不稳定的情况，实验失利,挫折,受挫,败北了。因此，不成就,胜利,凯旋,成果的臣民被带离村庄，带到山顶，但大屠杀的幸存者“阿文”和“埃伊拉”在深坑中逃到山后。起初，他们不知道整夜等待的是什么，尽管他们认为自己已经得救了。他们掉进了深坑，很快就变成了坟墓。在过去，因为它们是在它们身上进行试验，慢慢地变异，并进入死胡同。

　　该片故事灵感来自于布莱姆·斯托克的经典小说《德古拉》，是一部当代恐怖惊悚片，叙述,阐述,陈述,描写一个年轻女子因被追寻,寻求,探寻,寻觅而变得神魂颠倒，但她意识到，一个哥特式的阴谋正在出现,产生,形成,酿成。

　　泰瑞（Nina Axelrod 饰）本来正和男友骑着摩托车驰骋在公路上，两人好不快活。可一场意外的出现,产生,形成,酿成不仅让男友不幸身亡，泰瑞自己也身受重伤。幸运的是，泰瑞遇见了善意,良善,仁慈,慈善的农夫文森特（罗里·卡尔亨 Rory Calhoun 饰），他不仅救下了泰瑞，安葬了她的男友，还允许泰瑞在自己的家里休养。
　　文森特和妹妹艾达（Nancy Parsons 饰）过着相依为命的日常,生存,生计,日子，兄妹两人共同经营着一家破败的小旅馆，此外，文森特还有一个做警察的弟弟布鲁斯（Paul Linke 饰），在泰瑞渐渐的爱上文森特的同时，布鲁斯也对这个女孩一见倾心。实际上，文森特和艾达共同保守着一个惊人的秘密，那就是在善意,良善,仁慈,慈善淳朴的表象之下，文森特实际上是一个变态杀人狂。

　　A man finds a ghost sitting in a chair that never moves, and opens up a ghost tourism business for the wealthy. But terrifying occurrences haunt the observers as they uncover the mystery behind the woman in the chair.

　　叙述,阐述,陈述,描写玛格丽特(豪尔)过着成就,胜利,凯旋,成果而有序的日常,生存,生计,日子，圆满,完满,尽美,尽善地平衡了她忙碌,劳碌,忙乱,劳累的事业和作为单身妈妈,母亲大人,娘亲,老妈妈对极度独立的孩子,女孩,少女,千金艾比的关照,照应,关怀,关爱。直到大卫(罗斯)出现，她的过去起始,开端,肇始,启始困扰她，精心计划的日常,生存,生计,日子出现,产生,形成,酿成了更黑暗的转变，玛格丽特不得不直面她逃避了20年的怪物，来终结他们之间的恩怨。

　　Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first he thought people were breaking in, but he soon realized he was dealing with something Paranormal.

　　一个年轻的拿破仑军官追踪一个神秘的女人而来到一个年迈男爵的城堡，在那里他发现这个女人是听命于一个老巫婆，其最终目的是迫使男爵自杀……
　　Roger directed for two days on a set left over from a previous production, and without a proper script. He hired Francis Coppola to write a script and finish the picture. After five weeks of shooting, Roger fired Francis, and hired me to finish the picture. Jack Hill was hired to write a new script with me. A lot of what Francis shot was thrown out, except for the stuff with the witch from WIZARD OF OZ. (Dorothy Newman), and I finished the picture in five days of shooting. All of the interiors are Roger's (with the exception of Francis's witch's lair), and most of the exteriors are mine. To the best of my recollection, and contrary to legend, Jack Nicholson did not direct any of the film.

　　一群办公室职员决心,打算,计划,准备在办公大楼里举行一个派对。除此之外，他们还渴望,期望,盼望,企望在那里能有一些毒品。他们关于这个问题的讨论被“乔·威克斯 (Joe vickers)”听到了，这对他们来说是很不幸的，因为乔·威克斯是一名警察。但更不幸的是，威克斯还是一个崇拜撒旦的精神病连环杀手！他不但不逮捕他们， 他还要确保没有人能活着离去,分离,离别,离别,分别,分离,别离,分散,远离,分离派对……