In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.

　　闹市的一户普通民宅，佐藤夫妇居住于此。丈夫克彦（役所広司 饰）是一名尽职和善的电视台音效师，全职太太纯子（風吹ジュン 饰）则精心打理家中的一切。普通,寻常,一般,平常的外表下，纯子有着一项迥异于常人的能力，她可以同另一个世界的众生取得联系，甚至看到他们的身影。但是在这个所谓科学的现代化社会，心灵沟通似乎永远无法得到举世的承认。虽然偶尔有人登门求助，不过纯子还是渴望,期望,盼望,企望能造福更多的人。与此同时，一名小女孩被人拐骗，女孩阴差阳错藏进克彦的职业,事业,工作岗位,职责箱，来到佐藤夫妇家。面临,直面,应对,应付这一意外事件，纯子请求丈夫暂时将女孩留在家中，让她有机会用“超能力”援助,协助,辅助,助力警方找到女孩，谁知这一过程中女孩竟意外死亡。
　　天堂与地狱，一念之差，万劫不复……

　　Audrey Ames是一位有进取心的记者，试图从伊利诺斯州实验农场偶然发现的巨型蝗虫那里得到独家新闻。她奋斗,拼搏,奋进,进取拯救芝加哥，尽管军队掩盖了一切。

　　《深红祭坛的诅咒》是1968年由弗农·苏厄尔执导的一部英国恐怖片，领衔,主役,担纲,主角克里斯托弗·李、鲍里斯·卡洛夫、芭芭拉·斯蒂尔和马克·伊登。这部电影是由路易斯·M·海沃德为蒂贡英国电影制片厂制作的。这部电影是作为美国的深红崇拜而编辑发行的。这部剧本是由《Who博士》的编剧默文·海斯曼和亨利·林肯根据H.P.Lovecraft的短篇小说《女巫之家的梦》改编的（未经认可）。这部电影还展示了恐怖重量级人物卡洛夫的最后一次亮相。 古董商罗伯特曼宁（伊甸园）搜寻,寻觅,查找,探寻他的兄弟，谁是最后一次访问了克雷斯泰德洛奇在格雷马尔斯，他们家族的祖籍小镇偏远的房子。到了晚上，他发现一个聚会正在进行中，于是他被邀请住在屋主的侄女夏娃（Wetherell）身边。他的睡眠是不安的，奇怪的祭祀梦打扰了他。房主莫利（李）打听他哥哥的情况，向他保证那个人不在那里。曼宁的猜疑,疑惑,质疑,存疑是由噩梦般的幻觉引起的。神秘专家马什教授（卡洛夫）告诉曼宁莫利的祖先拉维尼亚（斯蒂尔）领导的巫术崇拜。人们发现这个邪教仍然活跃。克拉克斯特小屋被烧成灰烬，邪教的头颅被火焰吞噬。

　　The film opens with a narrated disclaimer over footage of an opening coffin. The narrator explains that the film's climax is so terrifying that it may kill the viewer, and reassures the audience that if they die of fright while watching the film, they will receive a free burial service, and it closes on the casket which has a card inside reading "Reserved for You."[1]
　　Newlyweds Jenni (Peggy Webber) and Eric (John Hudson) move into Eric's palatial country home. Jenni is Eric's second wife; his first wife Marion died when she accidentally slipped and hit her head on the edge of a decorative pond on the estate. At the home they meet Eric's friends, the Reverend Snow (Russ Conway) and his wife (Toni Johnson), as well as Mickey (Alex Nicol), the developmentally disabled gardener. Eric privately mentions to the Snows that Jenni spent time in an asylum following the sudden death of both her parents, and Mrs. Snow reveals that Jenni is very wealthy.
　　Jenni is disturbed both by Mickey's belief that Marion's ghost wanders the estate and by Marion's self-portrait inside the house, which Jenni believes resembles her mother. When she begins to hear unexplained screaming noises and see skulls around her house, she believes that Marion is haunting her. Though Eric speculates to Jenni that Mickey, who was a childhood friend of Marion and thus dislikes Jenni, may be behind the trickery, Jenni worries that she is going insane. Eric then suggests to remove Marion's self-portrait from the home. Eric and Jenni take the painting outside and burn it. While they clean up the remains of the painting, a skull emerges from the ashes. While Jenni panics at the sight of the skull, Eric denies that the skull is there. Jenni faints and Eric withdraws the skull and hides it, revealing that he was responsible for the trickery all along in an effort to get hold of her wealth.
　　Believing she has finally lost her sanity, Jenni resolves to be committed. She tells Eric that the entire property will be meticulously searched for the skull as a last resort. Before Eric can retrieve it, Mickey secretly steals the skull and brings it to the Reverend, revealing Eric's plans. That night, Eric prepares to murder Jenni and stage it as a suicide. Jenni sees Marion's ghost in Mickey's greenhouse and flees back to the house. When she enters, Eric begins throttling her. The ghost then appears and chases Eric outside and about the property; it finally corners and attacks him, drowning him in the decorative pond.
　　After Jenni regains consciousness, the Snows arrive. Mrs. Snow comforts a hysterical Jenni and the Reverend discovers Eric's body in the pond. Some undisclosed time later, Jenni and the Snows depart from the house. Reverend Snow declares whether or not Marion's death was an accident will remain a mystery.

　　"奸母"，杀戮，与《残酷食人族》，如出一辙，意大利超真实恐怖片经典之作。不完全是由头杀到完场，至少它有一两场"床戏"与裸女，更有"奸母"的异象，满足大部分(男性)观众的愿望。它的拍摄手法亦不算太粗烂，布景不差，丧尸的化妆尤其好。演员演出也算不俗。其实是七、八十年代意大利外销美国的B级商业电影的代表作。

　　A young man, Peter, returns to Austria in search of his heritage. There he visits the castle of an ancestor, a sadistic Baron who was cursed to a violent death by a witch whom the Baron had burned at the stake. Peter reads aloud the incantation that causes Baron Blood to return and continue his murderous tortures.

　　The Richardson family celebrates their 28-year-old daughter's pregnancy in Northern California. The celebration is interrupted when a Satanic cult member, Aksel Brandr, pays them an unexpected visit. Aksel, on behalf of the cult's leader Henrik Brandr, offers to pay the family a large sum for ownership of their land. Jacob Richardson, the father, rejects the offer due to the priceless sentimental value of their home. Henrik and his cult, displeased, begin to put devastating curses on the Richardsons, trying to force them off their land - even if it means murdering them. After suffering unexplainable tragedies, the Richardsons seek help from Marybeth, a white witch high priestess. They soon discover a terrible secret about their home, revealing why it is so valuable to the cult. They realize they must protect their property from the cult at all costs, and a violent battle between good and evil ensues.

　　一个年轻的拿破仑军官追踪一个神秘的女人而来到一个年迈男爵的城堡，在那里他发现这个女人是听命于一个老巫婆，其最终目的是迫使男爵自杀……
　　Roger directed for two days on a set left over from a previous production, and without a proper script. He hired Francis Coppola to write a script and finish the picture. After five weeks of shooting, Roger fired Francis, and hired me to finish the picture. Jack Hill was hired to write a new script with me. A lot of what Francis shot was thrown out, except for the stuff with the witch from WIZARD OF OZ. (Dorothy Newman), and I finished the picture in five days of shooting. All of the interiors are Roger's (with the exception of Francis's witch's lair), and most of the exteriors are mine. To the best of my recollection, and contrary to legend, Jack Nicholson did not direct any of the film.

　　A young man is released from an asylum and returns home for revenge on his aunt and her three daughters, who had him declared insane in order to steal his inheritance.
　　一名年轻人从精神病院被释放，回到家中，报复他的姨妈和她的三个孩子,女孩,少女,千金，因为她们为了夺走他的遗产而宣布他疯了。

　　在一次核电厂泄露事故中，雷文镇的孩子们在放学路上经历,碰到,遇到,邂逅了一场毒气的洗礼，全都变成了僵尸一样的魔鬼。他们的亲人,亲属,眷属,家属以为孩子孩子只是失踪了，当他们看到孩子归家,返家,还家,归宅的时候，都给他们深情的相拥,抱住,搂抱,怀抱，谁知这个相拥,抱住,搂抱,怀抱竟然是致命的......

　　RED RINGS OF FEAR (ENIGMA ROSSO), 1978, 85 min. Director Alberto Negrin wraps up the SOLANGE trilogy in this giallo where more sexually precocious schoolgirls bite the dust. Fabio Testi is the police inspector on the murderer’s trail, and Christine Kaufmann is his girlfriend. Chock-full of red herrings, perverse twists, sleazy situations, outrageous dialogue and an out-of-left-field climax, punctuated by Riz Ortolani’s groovy score.

　　The movie chronicles the events of history's "man of mystery," Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to power and eventual assassination are depicted in an attempt to explain his extraordinary power and influence.

　　伦敦数名医学博士接二连三的诡异惨死引起了警方的重视。经过调查Trout督查发现这几名死者的致死手法都出自于埃及十灾的典故，而他们的唯一共同点是都曾和Vesalius博士在一次失利,挫折,受挫,败北的手术中共事过。而手术中意外死去病人的丈夫Anton Phibes博士成为了最大的嫌犯，但Vesalius博士却告诉Trout督查Anton Phibes博士却早已在车祸中丧生……

　　本片以一个鬼怪故事为骨架，叙述了五个鬼故事。建筑师沃尔特·格兰杰到郊外一个农庄去洽谈业务。他感到农庄像旧地重游，原来他做过一个可怕的怪梦，屋里所有的人都在梦里出现过的。当他向客人谈及这怪事时，范医生发表自然猜疑,疑惑,质疑,存疑论的看法，从而引出每个客人叙述了—段自己亲身经历的鬼故事。

　　西柏林，一家新落成的电影院正在派发电影票，招揽观众。影院首映的是一部名为《魔鬼》的恐怖影片。年轻女孩绮丽儿（Natasha Hovey 纳塔莎•霍维 饰）对影片颇感兴趣，她邀请好友凯茜（Paola Cozzo 饰）一同逃课前往电影院。
　　途中她们遇到另一伙年轻人，其中一个女人将影片宣传用的面具戴在脸上，却不慎割伤了皮肤。这个不慎的闪失导致了无可挽回的大灾难，该女子变成全身发绿的恐怖恶魔，凡是被她抓伤或咬到的也会产生同样的变化。人们四散逃命，恐怖迅速蔓延。绮丽儿她们该如何逃出生天呢？

　　木下監督は、鶴屋南北の原作にかなり手を加え、お岩の亡霊は伊右衛門の良心の呵責による妄想だという新解釈を与えている。また、この作品を日本の伝統的な絵巻物という視点で捉え、全編を俯瞰撮影の長回しで撮った異色作品。

　　博士研究出将人缩小的设备以满足自己喜欢人偶的“爱好”，一群被缩小的人偶展开自救。

　　在得到一对耳环后，Valerie遇到了一些奇怪的事情。她的梦幻冒险起始,开端,肇始,启始于她将自己想象成一个面目难看,丑恶,丑样,丑态的主教的孩子,女孩,少女,千金，村庄变成了吸血鬼和巫婆的据点。迅速膨胀的性知觉以及更进一步的越轨尝试，使得Valerie必须面临,直面,应对,应付一个挑战并唤醒她的爆炸性的超现实世界。在这部超现实梦幻曲中，梦境与现实的界线是模糊的。

　　西班牙恐怖片大师Ibáñez-Serrador一鸣惊人的电影处女作（他的另一部经典是《谁能杀死孩子》）。片中众多美少女、美少男以及导演如何在佛朗哥治下严格禁欲的电影审查束缚中巧妙地展现,呈现,显现,体现强烈的性欲是这部电影额外的两大看点。

　　H.P. Lovecraft 小说改编.《活跳尸》导演“斯图尔特·戈登(Stuart Gordon)”和满月公司合作的一部冷门的惊悚恐怖片,大概叙述,阐述,陈述,描写了;有个叫约翰的人意外的继承了一座豪华壮丽的城堡,这座豪华的城堡看似宁静却藏着很多秘密,这个城堡中还有一个长的极其难看,丑恶,丑样,丑态的怪 物,怪物起始,开端,肇始,启始躲在暗处伺机攻击约翰和他的亲人,亲属,眷属,家属,这个怪物究竟是何人物,这座豪华的城堡和约翰的身世之间又有何关连呢？

　　15世纪末欧洲某地，一个女人被指控为女巫而被处以火刑，复仇的故事由此展开。。。这部意大利经典哥特式恐怖电影由芭芭拉·斯蒂尔，乔治·阿尔迪松，哈丽娜·扎莱夫斯卡，内洛·帕扎菲尼，翁贝托·拉霍和劳拉·努奇等领衔,主役,担纲,主角，由安东尼奥·马格赫特执导。

　　比奈子（夏川结衣 饰）小学时因爸爸,父亲大人,爹爹,老父亲职业,事业,工作岗位,职责关系搬到了东京日常,生存,生计,日子，离去,分离,离别,离别,分别,分离,别离,分散,远离,分离了四国以及四国的好友莎代里（栗山千明 饰）与文也（筒井道隆 饰）。离去,分离,离别,离别,分别,分离,别离,分散,远离,分离之前，比奈子知道了关于莎代里的一个秘密。
　　15年后比奈子再次回到了家乡，她见到了文也，莎代里却因意外逝世了。比奈子总是感到莎代里就在自己的身边，而且当她与文也越走越近的时候，他们俩亲眼看到了莎代里的鬼魂。比奈子感到事情有点蹊跷，于是要跟文也一起追查。
　　事实上，莎代里一直嫉妒比奈子能比自己早离去,分离,离别,离别,分别,分离,别离,分散,远离,分离家乡，而且这时候比奈子与文也相恋了，便更加刺激莎代里的鬼魂了。莎代里的家族充满了神秘感，比奈子与文也更得知莎代里的妈妈,母亲大人,娘亲,老妈妈要以一种环绕四国的方式，想要莎代里复生。
　　莎代里竟然真的死而复生了，再世为人的她依然念念不忘文也……

　　此片不同于以往的 Hammer 吸血鬼的故事模式，描写由吸血鬼化身而成的巡迴马戏团来到一个已经遭受诅咒与疫情的村落，并且带来灾难的故事。此部片的故事背景设定在19世纪的塞尔维亚，这些如吉普赛人般的马戏团成员事实上都是会变身的吸血鬼。