柏林电影节特别展映
　　21-year-old Cioma Schönhaus won't let anyone take away his zest for life, especially not the Nazis. He wants to discover life, but has the misfortune of living as a Jewish person in Berlin in the 1940s. Since the best hiding spots are in plain sight, Cioma decides to go out into the light to escape deportation. Using the identity of a marine officer he created for himself, he throws himself into the city's nightlife and even finds a fragile hope for love during the darkest moments of the war. Throughout the day he forges IDs with just a brush, some ink and a steady hand - and saves the lives of many others. His talent puts him in more and more danger, though, and at some point Cioma's only hope to survive is a last forged ID - with his own name on it.

　　影片叙述,阐述,陈述,描写了一个青海高原藏区村落，少年多杰和姐姐格桑与奶奶一同日常,生存,生计,日子。早年失去妈妈的姐弟俩渴望获爸爸,父亲大人,爹爹,老父亲的陪伴，但爸爸,父亲大人,爹爹,老父亲一直在外忙碌，很少归家,返家,还家,归宅。一天，姐弟俩偶遇一只受伤的小黑颈鹤，善意,良善,仁慈,慈善的他们将其带归家,返家,还家,归宅关照,照应,关怀,关爱。冬季将至，没有亲鸟的带领，小鹤无法完成迁徙，姐弟俩决心,打算,计划,准备骑摩托送它前往云南越冬地。而爸爸,父亲大人,爹爹,老父亲听闻孩子们擅自离家，也立刻南下搜寻,寻觅,查找,探寻。这趟艰险的旅途，注定将是一家三口的老成,稳重,老练,练达,长大,发展,进步之旅，促使他们重新审视亲情的涵义……

　　1987: While the other students wonder if new kid Robin is a boy or a girl, Robin forges a complicated bond with the school bully, making increasingly dangerous choices to fit in.

　　Two young men who are in love and get bullied by a group of neo-Nazi skinheads that makes their life difficult as hatred and intolerance seeps into the rapport between their relatives and respective families.

　　最疼愛國倫的阿媽因車禍過世了，隱藏多年且已轉為女兒身的他，不得不回鄉奔喪。一大家子的人聚在一起，有尷尬卻也有溫暖。當他發現撞死阿媽的人，竟然是如今有妻有子的初戀男友，再加上家族間利益糾葛、新怨舊恨，一場喪禮像是打翻了滾燙的熱鍋，還活著的人該何去何從？

　　潘仔與阿竹是一對無樂不作的好兄弟，兩人總踩著單車穿梭鄉間、鎮日流連。一個遊手好閒的下午，他們偶然救出被人欺負的皓呆，一趟春日三人遊便就此展開，不料雜貨店女孩曉琪的加入，卻讓四人關係產生了微妙變化。夜晚煙花燦爛，浪花沖打於岸，當太陽逐漸升起，年輕的生命又該駛向何方？

　　Back in 1990s, an aspiring IAS starts a rebellion against the caste-based reservation.

　　《残念生物事典》宣布剧场动画化，本作将于2022年夏在日本上映。
　　【制作】
　　原作：「ざんねんないきもの事典」シリーズ（高橋書店刊）
　　监修：今泉忠明
　　动画制作：ファンワークス
　　配給：イオンエンターテイメント

　　今天這個日子對爸爸阿海來說是特別的，因為擔任消防員的兒子祥仔終於要归家,返家,还家,归宅了。阿海從幾天前就開始準備，想著要煮哪幾道祥仔喜歡吃的料理，想著要怎麼迎候,迎候,迎面,迎向他归家,返家,还家,归宅。辛苦了一整個上午，這整桌飯菜，不只是滿溢著父愛，也是想念,惦记,挂念,牵挂的味道。所有的一切，都是為了父子倆能夠在家裡再一起好好吃頓飯。

　　在母親罹患胰臟癌末期後，大提琴老師鐘宜的日子便在授課與醫院中往返。一日因看護請假，她不得不親手幫母親換尿布及清理排泄物。在女兒面前尊嚴盡失的鍾母、在母親面前無所適從的鍾宜，這對母女終究因為內在的惶惶不安，在病房內掀起一場風暴⋯⋯

　　一个阳光和煦的午后，一对结缡三十多年的老夫妻，沿着港边小路漫步。他们久违的谈话，从子女的日常,生存,生计,日子事，逐渐回归到两人的感情事。路途上，偶遇的旧识说着人世的聚散无常；当年爱恋,相恋,恋情,恋慕,相恋,爱恋,热恋定情的场所，更显情感丢失后，无法寻回的惆怅。漫漫长路的终点，有着青春相伴的忆起,追忆,回想,缅怀与分离。

　　聚焦2015年巴黎巴塔克兰袭击事件的新片[一年，一夜](Un año, una noche，暂译)由伊萨基·拉库埃斯塔([两片水域之间])执导，伊萨基与Fran Araújo、Isa Campo共同操刀剧本。故事改编自袭击幸存者Ramon González所写的自传体书籍，以巴塔克兰袭击事件为背景，聚焦于一个年轻的西班牙人和他的女友，叙述,阐述,陈述,描写这两个幸存者如何试图治愈他们的心理创伤。

　　金魚象徵著兩位少女的美麗與脆弱。孤寂的小芊與雨晨，內心都擁有著傷痕，兩人因為雨晨的自殺計畫，而在泳池相遇，開始慢慢體會到前所未有的溫暖是來自陪伴，也進而互相明白,明了,知晓,理解對方心中的一抹孤寂。

　　A movie that follows a young, black attorney who has spent years offering live, online sex performances to pay for law school and “endeavours to construct dialogues between different identities, without this leading to the annulment of identarian policies.

　　入围塔林电影节影评人之选竞赛。
　　Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)

　　After the sudden and mysterious death of her sister, a 17-year-old novitiate explores her God-given right to experience life to the fullest, during the summer of 1900 in Switzerland.

　　On February 2013, Haleem, born in Aleppo, Syria, plans to escape the civil war and go to Germany, where his sister lives, and later invite his family after being granted refugee status. During the transit in Korea, he is caught with a fake passport and denied entry. He is later sent to Turkey where he is denied entry again, ending up back in Korea. After staying in the deportation room in the Korean airport, he is sent to stay at a foreign shelter, when one day he hears of his son's death and goes into a violent rage, unable to handle the sad news. The lawyer in charge of his case continues to challenge his detention, and the Korean Ministry of Justice ends up canceling his Emergency Protective Order without notifying him. Haleem, who unintentionally stepped into unfamiliar Korean soil, finds himself working illegally at a construction site, where he meets Riyadh, an unregistered Arab resident. They comfort each other's pain and develop a father and son relationship. Haleem, who had saved money to bring in his family to Korea, spent all his hard- earned money paying off Riyadh's father's debts. With the help of Youssef, a Christian Arab, Haleem gets a job at a junkyard and a place to stay. But Riyadh gets into a serious accident and is pronounced brain dead after he is chased by immigration officers. The church elders and ministers plot to use Riyadh's organs for their church main elder's transplant surgery. They try to persuade Haleem to concede by telling him that the church can bring his wife and daughter from the Turkish refugee camp to Korea along with their missionary group. Haleem falls into a religious conflict and moral dilemma, leading other Arabs around him to misunderstand him. A story about a person stuck in the midst of cultural, religious, ethnic, and national conflict.

　　The action of the film takes place in 1943. The title character is a cosmopolitan and incapable of deeper feelings seducer. In Poland, he lost his entire family. Alone - being in the heart of Nazi Germany - he hides his Jewish origins and often eludes death. He works as a waiter in the restaurant of an exclusive hotel and carelessly enjoys all the charms of life surrounded by luxury, beautiful women and friends from all over Europe. However, when the war begins to take a bloody toll on those closest to him, the intricately built world that surrounds him crumbles like a house of cards.

　　脚本家を目指すルイは海外に行っている映画監督の恋人アツシの帰りを待っている。スカイプ越しに会話を交わす2人は新しい日常,生存,生计,日子への計画に胸を躍らせる。一方、メイコは精神疾患によって舞台俳優の活動を離れカフェで働いていた。そこへ急に兄のマコトがやってくるが…。人生の岐路に立つ女性2人が織りなすささやかな物語。

　　盲人阿里正在自杀，楼道管理员敲开了他的家门，告诉他警方正在搜索的逃犯莱拉就躲在大楼里。渐渐地，阿里发现这个女人其实就藏在他的房子里。莱拉因参与了一场工人抗议运动并引起了骚乱被警方带走，四岁的孩子,男孩,少年,男童因此失踪，为此莱拉懊悔不已。逐渐地，阿里对莱拉有了感情，援助,协助,辅助,助力莱拉成为他逃避现实的一种方式。

　　An inquisitive girl and her father must unravel the secrets of Echoville Manor which has held the world's cutest spirit Ghoster captive for 50 years, before Yuto the ghost dragon wipes them all out in his quest for immortality.

　　A miracle independent film capturing the growth of a single baby over a period of 3 years.
　　The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers.

　　Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France.
　　The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.

　　MEDUSA DELUXE is a murder mystery set in a competitive hairdressing competition. Extravagance and excess collide, as the death of one of their own sows seeds of division in a community whose passion for hair verges on obsession.