改编自爆款《我的错误》三部曲作者Mercedes Ron的另一部Wattpad热作《Dímelo bajito (Say It to Me Softly)》。
Fall in love with the Di Bianco brothers.Your best friends. Your biggest downfall.
Kamila Hamilton had everything under control ... or so she thought: it was not at all in her plans for the Di Bianco brothers to return once again and turn her world upside down.
Thiago was her first kiss. Taylor, the one who always protected her. The brothers’ return causes Kami's seemingly perfect life to tumble. She is no longer the innocent child they once knew: since they left, it seems that no one has been able to get close to her ... no one but them.
Will Kami be able to resist Thiago’s mere presence?
What will happen when Taylor starts looking at her differently?
Will everything explode into a thousand pieces just like last time?

Follows the 2023-24 Dallas Cowboys Cheerleaders squad their auditions and training camp and finally the ending of the Cowboys season predictably ended in the NFC Wild Card Round.

在一场残酷的地下锦标赛中，世界顶尖刺客展开殊死搏斗。然而，他们之中却隐藏着一个叛逆的团伙，他们怀揣着自己的致命阴谋：潜入比赛现场，在血腥屠杀中幸存下来，并扳倒幕后主谋。

他们说，只要与酒馆里的酷儿对到眼，就会染上瘟疫。1980年代，智利北部沙漠矿镇一角，变装皇后华丽登台。花前月下，媚眼勾魂，搅乱一池春水，酒馆花魁命丧孽海。无法治愈的咳疾、遍布全身的肉瘤，为谣言添柴加火，更摧毁了女孩莉迪亚与一众乾妈的乌托邦。人们蒙得了酷儿的双眼，却止不住对爱欲的渴望。比生命还坚韧的爱，能否带莉迪亚寻得这场瘟疫的真相？

当杰西卡被错误指控谋杀了她最好伙伴,好友,挚友,密友的丈夫时，她越狱并与丈夫马特一起逃亡，试图洗清自己的罪名，但却解开了一张由欲望和欺骗组成的致命网，导致……

困扰维塔一家的灾难起始,开端,肇始,启始了，佩拉科尔的魔法到底做了什么，毁掉了他们的家庭？

菜鸟律师班戴利揭发了一桩弊案。他所任职的法律事务所执行长凯勒，涉嫌侵占客户遗产。凯勒买通证人凯洛琳作伪证而获判无罪。媒体将班描写成一个利用吹哨者法案来勒索雇主的人。班在失业之余，还罹患一种罕见的精神疾病：词语替换障碍。他无法使用正确词汇与人交谈，甚至口出秽言，于是他起始,开端,肇始,启始回避与任何人的接触。某天，凯洛琳突遭杀害，她的前夫推定她是因作伪证而遭灭口，如果证实当年为误判，这不仅能还班的清白，更能将凯勒定罪。班必须再次坐上他最恐惧的证人席，在媒体虎视眈眈、公众旁听之下，接受一而再、再而三的审问。

驱魔龙族马氏家族传人马小玲（吴千语 饰），肩负着除邪惩恶的家族使命。而二流侦探况天佑（黄宗泽 饰），则凭借奇特能力屡破奇案。但实际上他一直在掩饰着不死不灭疯狂噬血的“血族”身份，本来相安无事的日子，被一道“暗影”打破，两人在调查一起暗影袭击的事件中相遇，出生入死的瞬间，百年恩怨所结下的宿命之锁，似乎已悄然解开……

该取材于武穴市4000多名党员下社区、进小区，通过党建引领老旧小区改造的故事：建于上世纪七、八十年代的老油厂小区，有9栋楼160多户居民，是一个典型的无物管、无主管部门、无人防物防的“三无”小区。这里许多居民乱搭乱建杂物间、小车棚，下水道破损无人维修，日常,生存,生计,日子污水横流，居住环境十分恶劣。有条件的住户外出购房搬离后，又将这里的房子出租出去，导致这儿的居住环境更加繁复,纷繁,繁杂,杂乱。龙潭社区主任张昊阳借老旧小区改造之际，做活党建+的文章，派出社区片警樊玉锋任第一支部书记，引导居民开展“法治、德治、自治”。在社区职业,事业,工作岗位,职责者和小区党支部+业主委员会的共同奋斗,拼搏,奋进,进取下，解决了一批居民急难愁盼的事，终于让居住在这里的近千名群众日常,生存,生计,日子出现了新业态。

一名年轻人奋斗,拼搏,奋进,进取克服困扰他村庄的暴力，并成就,胜利,凯旋,成果成为一名职业卡巴迪选手。

克莱尔（米歇尔·菲佛 饰）组织了一次特别的圣诞郊游活动，而她的亲人,亲属,眷属,家属却在忙碌中将她遗忘。当他们意识到错误时，她已经失踪了。他们的圣诞节岌岌可危，但克莱尔另有打算。

Follows correspondent Steve Hartman and photographer Lou Bopp as they embark on a seven-year-long project to document the empty bedrooms of children killed in school shootings.

The doc will follow five families, who are equal parts street corner capitalists and Christmas die-hards, as they source, bargain, and hustle to sell as many trees as they can in the city that never sleeps.

在一个陌生的城市醒来，一个对自己是谁没有记忆的人必须面临,直面,应对,应付自己身份的谜团。但他不顾一切地搜寻,寻觅,查找,探寻自己的过去，使他与强大的敌人对抗，导致一场决战，这将决心,打算,计划,准备他的命运并展示,揭露,显示,呈示他的真实身份。——哥斯拉

影片围绕云南镇雄县小镇的诗人单单展开。单单日常,生存,生计,日子孤寂,寂寥,冷寂,寥寂,孤寂,寂寥,孤单、性格孤傲，先后与美女网红、寻诗女人及持枪少妇产生情感纠葛。美女博主深陷债务，寻诗女人怀揣浪漫，神秘少妇背负不可告人的秘密。在欲望与情感、幻想与忆起,追忆,回想,缅怀、日常,生存,生计,日子与诗歌之间，一张无形的大网将所有人的命运纠缠在一起，引向不可预知的结局。

劳伦兹曾是百老汇作词家第一把交椅，却在与理查德拆伙后事业跌落低谷。前搭档新作的首演之夜，他故作大方献上祝福，新仇旧恨交织下，终究不欢而散；他转向忘年好友伊丽莎白搜寻,寻觅,查找,探寻慰藉，又不禁猜疑,疑惑,质疑,存疑友达以上的关系是否只是自作多情。偌大派对就像如今的百老汇，早已没他的容身之处。过了今晚，美国音乐剧的黄金年代就要展开，他的盛世却再也回不来，当最后一曲〈蓝月〉响起，即便成了终曲，也要忘情歌颂。

前壁球冠军邓叔彦（郭富城 饰）与妻子杨静娴（梁咏琪 饰）原本拥有欢愉,美满,欢乐,愉快,欣喜,喜悦,愉悦家庭，但孩子,女孩,少女,千金邓辞（许恩怡 饰）幼年确诊肌肉萎缩症、年迈的妈妈,母亲大人,娘亲,老妈妈（鲍起静 饰）确诊癌症，家庭遭逢巨变。
普通家庭中的三代人曾因血缘与亲情紧密连结，却又在疾病与日常,生存,生计,日子的断裂中彼此疏远。多年后，当他们再次直面生死考验，原本疏离的亲人,亲属,眷属,家属能否放下芥蒂，互相扶持？
他们被迫在持续,坚守,执着,恒心与舍弃,抛弃,割舍,摒弃之间挣扎，游走于爱与痛的边缘。一亲人,亲属,眷属,家属的情感羁绊，都因孩子,女孩,少女,千金仅能微微移动的无名指而重新相连……

故事主角是失去五岁孩子,女孩,少女,千金芽衣的铃木佳惠（长泽雅美）和丈夫忠彦（濑户康史）。沉浸在悲伤,难过,哀伤,痛心,悲伤,难过,哀伤,痛心,苦闷,悲伤,忧伤,痛苦,忧伤中的佳惠，在古董市场找到一个与芽衣非常相似的可爱洋娃娃，并起始,开端,肇始,启始呵护它，逐渐恢复了活力。但是，佳惠和忠彦有了新的孩子,女孩,少女,千金真衣之后，两人就不再关注这个洋娃娃了。渐渐地，五岁大的真衣起始,开端,肇始,启始和洋娃娃玩耍，这个家庭接二连三地出现,产生,形成,酿成奇怪的事情。佳惠他们试图摆脱这个洋娃娃，但无论扔掉还是供奉，这个洋娃娃却莫名其妙地归来,返回,回归,还来了！洋娃娃隐藏的秘密是什么？以及即将揭开的震撼真相是什么——！

影片围绕让-吕克·戈达尔拍摄《精疲力尽》展开，重现了法国电影新浪潮运动背后的故事。

叙述,阐述,陈述,描写曾是天才白帽黑客的主人公野原（阿部宽 饰）因被陷害而失去一切，他策划欺骗金融市场的AI“守门人”，试图获取巨额财富的故事。
本片改编自川村彻彦的小说《止损：外汇模拟交易成就,胜利,凯旋,成果故事》，片名“CANDLESTICK”源自金融交易中的K线图。

Stressed? Burnt out? You’re not alone! With black humour and biting irony, we get the incredible story of how modern working life became its own worst enemy – and what we can do to change it.
Burnout, endless meetings and colourful Post-It notes with empty marketing phrases have hijacked meaningful work. How did we get there? Based on a sabotage manual developed during World War II, John Webster’s wildly entertaining and deeply upsetting film demonstrates how modern work has become a monster that devours itself – and everyone else around it. Without losing sight of the system’s human toll, the film speaks directly to a current agenda about how and how much we should actually work. And fortunately for all of us, there actually is a solution. At the heart of the film, we sit in with a group of successful business people as they come together to share their stories of burning out – and how they got on in life. Most people will no doubt be able to relate to much of ‘The Happy Worker’, and have a good, much-needed laugh about how it got this far.

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies?
In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson.
The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.

A Goalkeeper in Danish football team that won the European Championship against all odds in 1992 and captained Manchester United in the Champions League final victory that clinched the treble in 1999.

26岁的阿尔芒德·皮贡失业在家、债台高筑，在布鲁塞尔艰难度日。雪上加霜的是，她嗜赌成性，从不畏惧冒险——因为对她而言，所有赌注都值得一试。唯有一个赌注或许例外，那可能是她至今仍不敢孤注一掷的疯狂赌局：爱情。