比尔梦想自己有所作为，无论是通过运送货物还是饲养贵宾犬，他都决心通过奋斗,拼搏,奋进,进取实现“美国梦”。和他一条街区的马特奥则迫不及待地想成为一个男人。由于渴望得到年轻爸爸,父亲大人,爹爹,老父亲的认可，一系列冲动的决心,打算,计划,准备使马特奥的日常,生存,生计,日子出现,产生,形成,酿成了变化，他发现自己还没有能力应对成人世界的残酷现实。

　　In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.

　　Newly-fired reporter Sloane Sawyer reluctantly returns to her rural California hometown to investigate the harassment of local vineyard workers and uncorks a tangled web of crime and corruption behind wine country's shiny façade.

　　Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.
　　What follows is no traditional action film, but a thriller with snatches of comedy, in which the enemy isn’t hidden behind masks, but is in the minds of the liberators. Before they act, they have to overcome their personal demons. Comparisons to the school hostage-takings in Beslan and Kazan are obvious, yet Karatas – the mythical village where much of director Adilkhan Yerzhanov’s work is set – could be anywhere. It is universally acknowledged that crises bring out people's true natures.

　　遥视（remote viewing，简称RV），在科技部门是指拥有超自然力的间谍。遥视能力让她找到各国政府都想拥有的武器 － 能够让时光倒流的时钟，同时也开启危险之门，他们能够成就,胜利,凯旋,成果逃出吗？

　　伊朗著名导演贾法·帕纳西的最新作品，由于创作环境受到限制，因此依然是他自编自导自演，他在片中饰演,出演,演出,表演自己，隐居在紧靠土耳其边境的伊朗小村庄里，通过网络远程监督在土耳其拍摄电影的过程。影片采用双线叙事，极为创新地打破与观众的“第四堵墙”，模糊了真实与虚构的界限。戏中戏的多重嵌套更是创造了让人回味无穷的电影神迹时刻。该片在荣获2022年威尼斯电影节评审团特别奖。

　　十六岁的伊华，跟她的猫一样躁动抓狂。她愈来愈受不了同住的妈妈,母亲大人,娘亲,老妈妈和妹妹，更想亲近已分居的爸爸,父亲大人,爹爹,老父亲。然而她的艺术家爸爸,父亲大人,爹爹,老父亲经常情绪失控，伤己也伤人。老成,稳重,老练,练达,长大,发展,进步刺痛，性欲涌动，早熟且敏感的她，发现身边的成年人都不可依靠，只能靠自己横冲直撞，体验青春的暴烈与柔和,娴静,恬淡,温婉。生于哥斯达黎加的新锐导演华伦天娜莫雷尔，首部长片细腻描写少女的焦躁不安、狂野叛逆，以及既亲密又冲突的父女关系。洛迦诺电影节惊艳之作，囊括最佳导演及男、女主角三项大奖。

　　米拉（Alina Schaller 饰）的家族世代经营着一家葡萄园，最近生意非常的惨淡，作为葡萄园的继承者，米拉体验,体会,感悟,感悟到了巨大的压力。米拉的祖父患有老年痴呆症，随着时间的推移，他的症状愈发的严重，与此同时，米拉的哥哥保罗（Tobias Resch 饰）也失踪了，这对于本就焦虑的米拉来说无疑是雪上加霜。
　　为了发泄压力，米拉将大部分精力都放到了打冰球这项运动上，而她身为女子冰球队的队长，深受着队员们的尊敬和信赖。这一天，冰球队里来了一位新队友特蕾莎（Judith Altenberger 饰），特蕾莎的出现让米拉重新找到了欢乐,愉快,欢喜,欢乐,愉快,欣喜,喜悦,欢畅,喜悦,欣喜的感觉。之后，保罗也回到了米拉的身边，他们三人决心,打算,计划,准备踏上前往维也纳的旅途。

　　莱昂诺是一位奋斗,拼搏,奋进,进取与日常,生存,生计,日子缠斗，试图养家糊口的中年妇女。当她无意间读到剧本征集的广告后，她想起了曾经的电影生涯，想持续,延续,存续,连续年轻时未完成的剧本创作。天不遂人愿，突发的意外将她的身体困在病榻，灵魂却因此闯进了她创作的故事中，上演了一场又一场令人目不暇接、天马行空的大冒险。

　　8-year old Oskar lives in a family-run children's home. Every day he escapes to the world of his own imagination. His idol is the hero of a tv series, Detective Bruno. On the day of his birthday, the boy receives a treasure-hunt clue left behind by his late parents. Oskar decides to hire Detective Bruno, his favourite TV series character, to solve the quest. Real-life Bruno, the worn- out actor in PR crisis, decides to use Oscar to rebuild his image. They embark on an urban adventure through Warsaw. The journey makes Bruno change his ways and helps Oskar cope with the loss of his parents.

　　Amid picturesque red dirt, blue sky, and green agave fields stands Dos Estaciones, a once-majestic tequila factory struggling to stay afloat. At the helm of the plant reigns Maria Garcia, heir to the family business and beacon to the townspeople she employs. To help oversee the company’s administration, Maria appoints an eager woman named Rafaela, whose vibrant presence generates much-needed hope in a home thirsty for a miracle. When a persistent plague and an unexpected flood cause irreversible damage, Maria is forced to do everything she can to save her community’s main source of economy and pride.

　　穷困潦倒的没落魔术师何天才，为了保住养女何佳佳的抚养权，而向命运发起挑战，在房东与邻居们的支援,扶持,拥护,维护和鼓舞下，奋发图强，终于登上了选秀大赛的最终舞台，并以此成就,胜利,凯旋,成果地将孩子,女孩,少女,千金留在身边的合家欢的温情励志故事。

　　Mario works in a large warehouse of lost objects where he keeps all kinds of belongings all kinds of belongings accumulated over the decades. Mario, who has Mario, who has long since decided to distance himself from people, spends his spare time investigating the investigating the provenance of objects in order to return lost pieces of their lives to their owners. lost pieces of their lives to their owners. Only Helena, a young policewoman who the warehouse, has been able to break through his armour. armour. One day a suitcase rescued from the bottom of the river arrives at the warehouse. Inside, she finds she finds baby clothes next to some human remains. Mario decides to Mario decides to investigate on his own and following the trail of the suitcase he comes across Sara, a young woman trapped since she was a child in a human trafficking organisation. trafficking organisation. A network that treats people as if they were objects.

　　2014年7月，准父母Irka和Tolik住在乌克兰东部靠近俄罗斯边境的顿涅茨克地区，这是顿巴斯战争早期有争议的地区。随着MH17航班附近的坠机事件加剧了笼罩他们村庄的令人生畏的紧迫,焦虑,急迫,忧虑气氛，他们对第一个孩子出生的紧迫,焦虑,急迫,忧虑预期被突如其来的事件猛烈地打断了。迫在眉睫的失事客机残骸和即将到来的哀悼者队伍强调了当时超现实的创伤。

　　沒有人理解農會之花月鵝對企鵝的熱愛，但她堅信總有一天能找到命中註定的那頭鵝一起前進南極！當穿著企鵝裝的何德利橫空出世，對她做出一連串企鵝的求偶動作，頓時天雷勾動地火，月鵝愛上了何德利！她究竟要如何打動如死魚般的何德利呢？

　　Condamné à un travail d’intérêt général, un jeune homme est intégré à une maison de retraite.

　　全国精准扶贫中，老朱带着自己的科研团队，前往澜沧蒿枝坝扶贫，他深感自己有义务转变,变化,蜕变,变迁蒿枝坝的命运，有责任回报曾经养育自己的农民同胞们。因为各种差异，朱院士及其团队在科技扶贫中经历,碰到,遇到,邂逅了前所未有的困难。

　　音乐人阿鲁斯（伊德尔 饰）因不满哥哥对患有阿茨海默症的妈妈,母亲大人,娘亲,老妈妈（巴德玛 饰）的关照,照应,关怀,关爱方式，决心带她返回草原，去搜寻,寻觅,查找,探寻妈妈,母亲大人,娘亲,老妈妈记忆中的家。为了防止妈妈,母亲大人,娘亲,老妈妈走失，阿鲁斯用一根绳子系在两人腰间。似脐带一般的连接，建立起了一种奇妙的“逆位”母子情，牵引着两人向草原深处漫游。当爱由彼此羁绊化为理解和自由， 妈妈,母亲大人,娘亲,老妈妈终于回到心中的故乡，阿鲁斯也得到安静,宁静,沉静,恬静和爱的力量。

　　Rachel a 40 ans, pas d'enfant. Elle aime sa vie : ses élèves du lycée, ses amis, ses ex, ses cours de guitare. En tombant amoureuse d’Ali, elle s’attache à Leila, sa fille de 4 ans. Elle la borde, la soigne, et l’aime comme la sienne. Mais aimer les enfants des autres, c’est un risque à prendre…

　　气候干燥的玻利维亚高地，一对年迈的、以放牧羊驼为生的克丘亚族夫妇一直在这里过着相濡以沫的日常,生存,生计,日子。但一场多年难遇的大旱灾让他们本就拮据的日常,生存,生计,日子雪上加霜，这不仅威胁到他们自己，还威胁到整个村庄的存亡。夫妻俩的孙子闻讯从城市返回，想让他们与自己一起进城日常,生存,生计,日子，但这对早已习惯乡村日常,生存,生计,日子的夫妻俩来说，又是一个严酷的挑战。两代、三人将以不同的方式看待社会与自然的变化，以及生命的意义。

　　一名年輕浪子開始全力追寻,寻求,探寻,寻觅新鄰居的女兒，他原本的日常,生存,生计,日子因此跟著翻天覆地。

　　新手妈妈阿玛雅还没有适应妈妈,母亲大人,娘亲,老妈妈这个角色。丈夫离家几周，孤立无援的她决心,打算,计划,准备回到巴斯克海滨小镇父母的家里向他们求助。然而就算有父母的援手,搭手,帮衬,帮助，育儿也绝非易事，矛盾和争吵接踵而来。尽管阿玛雅现在已经是一个妈妈,母亲大人,娘亲,老妈妈了，但她内心里，依旧还是一个孩子,女孩,少女,千金。

　　(陕)网影审字(2022)第006号，西安萤火虫影业有限公司