Crump's mission to raise the value of Black life as the civil lawyer for the families of George Floyd, Breonna Taylor, Black farmers and banking while Black victims, Crump challenges America to come to terms with what it owes his clients.

　　叙述,阐述,陈述,描写一个女孩在姐姐去世后重新面临,直面,应对,应付日常,生存,生计,日子与爱情的故事

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies?
In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson.
The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.

　　Marie Richardson leads the star ensemble in a heart-warming homage to all mothers, reminding us that it’s never too late for a fresh start in life.
　　All the old friends are invited to Karin (Richardson) and Sten’s (Björn Kjellman) celebration of their 40th wedding anniversary. But after a dirty text message and some failed acrobatic stunts on the balcony, the idyll has both cracked and ended up in the emergency room. Karin is forced to straighten out her back and realizes that she has spent her life taking care of her family without getting as much as a thank you. Together with her friends from the swimming pool, she finds new vitality at a weekly cooking class, where Peter Stormare’s star chef opens up for exciting new taste sensations. Tuesday Club is a well-acted and inspiring paean to struggling women, mature passion, and Asian cuisine.

　　本片探索了一个孩子与一个男人的内心世界，以及他们与爸爸,父亲大人,爹爹,老父亲之间的关系。 当他的爸爸,父亲大人,爹爹,老父亲病重时，在城里当厨师的图尔加回到了他的村庄。 不久之后爸爸,父亲大人,爹爹,老父亲去世，他决心,打算,计划,准备停留,驻留,滞留,逗留来完成向爸爸,父亲大人,爹爹,老父亲承诺的收割职业,事业,工作岗位,职责。 在外地干活时，他遇到了一个十岁的男孩，他独自和祖父母住在一起，而他的单亲妈妈,母亲大人,娘亲,老妈妈则在城里职业,事业,工作岗位,职责。而图尔加与对男孩的在意,关注,留意,重视和他们之间的关系则促使他们挑战自身。

　　故事的两位男性主人公各自承受着不公以及心灵的煎熬，一位含冤入狱，另一位长期遭受着身体疾病的困扰。萦绕在他们头上的，是无法驱散的现实的阴影。最终他们不得不以一场决斗来终结过去的那段困扰他们多年的历史。潮起潮落，海水终会将一切过往洗净。

　　以小說征服全世界的文壇大師米蘭昆德拉低調成謎。他在 1985 年決定不再接受訪問，也沒公開露面，從此隱身於作品後。如今一名學子，決定挑戰這個不可能的任務：採訪米蘭昆德拉！鏡頭跟隨著他探訪和昆德拉交手過的藝文圈人士，一窺他在家鄉布爾諾的日常,生存,生计,日子、於布拉格 FAMU 電影學院學習及任教期間的獨到作風。為何他在《生命中不能承受之輕》被改編成電影之後，再不允許自己任何一本小說被翻拍成電影？他為何流亡法國，並決定以法語寫作？昆德拉禁止他的法語著作被翻譯成捷克語的原因又是什麼？從昆德拉第一部長篇小說《玩笑》，到打破封筆宣言之作《無謂的盛宴》，逐步揭開他小說中的哲學探討。他對文字的極致要求，絕對令你大開眼界！

　　盲人阿里正在自杀，楼道管理员敲开了他的家门，告诉他警方正在搜索的逃犯莱拉就躲在大楼里。渐渐地，阿里发现这个女人其实就藏在他的房子里。莱拉因参与了一场工人抗议运动并引起了骚乱被警方带走，四岁的孩子,男孩,少年,男童因此失踪，为此莱拉懊悔不已。逐渐地，阿里对莱拉有了感情，援助,协助,辅助,助力莱拉成为他逃避现实的一种方式。

　　As the #1 social influencer at her high school, Anna is still discovering the advantages and drawbacks of this new status. Home alone, she's determined to gain as many followers as possible, but when the line between real and virtual is getting blurry, the night becomes bloody.

　　叙述,阐述,陈述,描写了一个活泼迷人的女孩燕燕和一个神秘高傲的男孩布鲁之间的反差吸引的爱情故事。

　　A light-hearted coming-of-age story of a lovable 60-year-old-man.

　　一位吝啬的罗马富商想方设法从教皇那儿获得贵族头衔，三个鬼魂登门造访，带他看清过去、现在与未来，让他领悟了人生的真谛。本片将英国文豪狄更斯的经典小说《圣诞颂歌》的故事背景转移到了19世纪的罗马，聚焦一个新兴资本家的传奇一生，去除了原著的圣诞节背景与极强的道德教化意义，将之与彼时教权衰微、资产阶级革命兴起的意大利社会现实紧密联系在一起。服化道真实还原了时代，复古气息浓厚，而凶杀等悬疑元素的加入更是让影片可看性十足。

　　An alien ship encounters a strange flying object: the Voyager spacecraft. Professor Dr. Georg Friedele wants to teach the aliens about evolution on earth but the more the aliens listen the angrier they turn towards the humans.

　　小熊和独角兽之间的战争已经持续很久很久，大群小熊们在训练营中接受严苛的军事化训练，并被告知“独角兽们都是恶魔”，此后投身战场。而其实，Private Bluet渴求独角兽的血是因有预言透露它能交换永恒的美丽。一支小熊军队离去,分离,离别,离别,分别,分离,别离,分散,远离,分离了训练营去执行一项任务，结局将是一场残忍的、灾难性的大战。

　　8-year old Oskar lives in a family-run children's home. Every day he escapes to the world of his own imagination. His idol is the hero of a tv series, Detective Bruno. On the day of his birthday, the boy receives a treasure-hunt clue left behind by his late parents. Oskar decides to hire Detective Bruno, his favourite TV series character, to solve the quest. Real-life Bruno, the worn- out actor in PR crisis, decides to use Oscar to rebuild his image. They embark on an urban adventure through Warsaw. The journey makes Bruno change his ways and helps Oskar cope with the loss of his parents.

　　Nathalie Adler is on a mission for the EU in Sicily. She organizes the next visit of Macron and Merkel to a migrant camp. Their presence has a high symbolic value to show that everything is under control. But who still wants to believe in this European family on the verge of a nervous breakdown? Probably not Albert, Nathalie's son, an NGO activist who arrives without warning. He, moreover, no longer believes in his mother.

　　由DJ叙述,阐述,陈述,描写的，出现,产生,形成,酿成在平行宇宙的浪漫爱情故事。在伦敦，一个女孩深爱着一个男孩。而在印度，有一个男孩同样爱着一个女孩。男孩和女孩都有着相同的相貌。两个单相思的爱情故事，背负着社会地位、种姓、宗教和不平等的负担，奋斗,拼搏,奋进,进取的向各自奔赴。新时代的罗密欧与朱丽叶能否顺利开花结果？

　　2014年7月，准父母Irka和Tolik住在乌克兰东部靠近俄罗斯边境的顿涅茨克地区，这是顿巴斯战争早期有争议的地区。随着MH17航班附近的坠机事件加剧了笼罩他们村庄的令人生畏的紧迫,焦虑,急迫,忧虑气氛，他们对第一个孩子出生的紧迫,焦虑,急迫,忧虑预期被突如其来的事件猛烈地打断了。迫在眉睫的失事客机残骸和即将到来的哀悼者队伍强调了当时超现实的创伤。

　　沒有人理解農會之花月鵝對企鵝的熱愛，但她堅信總有一天能找到命中註定的那頭鵝一起前進南極！當穿著企鵝裝的何德利橫空出世，對她做出一連串企鵝的求偶動作，頓時天雷勾動地火，月鵝愛上了何德利！她究竟要如何打動如死魚般的何德利呢？

　　Set in Ålesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy.
　　Asta is a journalist in Ålesund who seems plunged in a melancholic state, for a reason we discover bit by bit. Her supportive girlfriend refurbishes design chairs and plays the keyboard, while their kitten wanders around the house. One day, Asta reads a story in a newspaper about an asylum-seeker who is being forcefully evicted from Norway after having lived and worked a decade in the country. Gradually, Asta becomes more involved in learning about the case, and she has to find her position - both in her work and in her personal life.
　　This beautifully-crafted film, bathed in soft colours, is a meticulous observation of Asta's life after an unnamed trauma, and as external events invite her to reconsider her own relationship to reality. One newspaper article she reads is entitled, "Confronting our social conscience", which is one of the topics of A Human Position. It's also a low-key love story, with its routines and ups-and-downs, which feels very real.

　　A 16 years old veiled girl is terrified to get out the Luxembourg airport.

　　新手妈妈阿玛雅还没有适应妈妈,母亲大人,娘亲,老妈妈这个角色。丈夫离家几周，孤立无援的她决心,打算,计划,准备回到巴斯克海滨小镇父母的家里向他们求助。然而就算有父母的援手,搭手,帮衬,帮助，育儿也绝非易事，矛盾和争吵接踵而来。尽管阿玛雅现在已经是一个妈妈,母亲大人,娘亲,老妈妈了，但她内心里，依旧还是一个孩子,女孩,少女,千金。

　　伊莎贝尔·于佩尔、拉斯·艾丁格、斯万·阿劳德、弗雷娅·梅弗、弗洛伦斯·卢瓦雷出演，Laurent Larivière([我是一个兵])执导的新片[琼·维拉](Joan Verra，暂译)在法国科伦正式开机！该片由247films、Gifted Films与Blinder Films制作，剧情暂未知。