这部动作犯罪惊悚片由尼日利亚演员 Tobi Bakare、Adesua Etomi-Wellington领衔,主役,担纲,主角。这张以一群儿时的伙伴,好友,挚友,密友为中心，他们每个人都在该国最大城市拉各斯的繁华街道和街区长大。

　　1月14日21時からフジテレビ系の土曜プレミアム枠で放送の「イチケイのカラス スペシャル」は、自由奔放で型破りな裁判官・入間みちおが、イチケイこと東京地方裁判所第3支部第1刑事部を去ってから1年後の物語が描かれる。みちおが担当する“熊本・ヤンキーの決闘”と、イチケイの部長裁判官である駒沢義男が担当する“東京・大企業の代理お家騒動”、スケールの異なる2つのケンカ事件から、ある接点が浮かび上がっていく。

　　Picture-perfect Neve (County Line’s Ashley Madekwe) has it all – a beautiful family and a lavish lifestyle. She is the toast of her upper-middle-class suburban community, having worked very hard to get to the top. However, her pristine veneer cracks when she starts to see a couple of mysterious figures around her town. Writer-director Nathaniel Martello-White’s thought-provoking thriller features its fair share of twists and a scene-stealing turn from Bukky Bakray (Rocks).

　　The relationship of a well-known journalist and a down-to-earth teacher goes through hard times when she takes a new job.

　　叙述,阐述,陈述,描写职业,事业,工作岗位,职责狂艾丽(布里)在归家,返家,还家,归宅乡的路上与前男友肖恩(埃利斯饰)度过了一晚，追忆往事，她起始,开端,肇始,启始质疑自己所做的抉择,挑选,取舍,取择和现在成为的人。当她遇到卡西迪(克莱门斯)后，事情变得更加混乱，这个年轻女人让她想起了过去的自己。

Regitze is a little over thirty but still unemployed and single. A hopeless case, thinks her romantic academic father who never came along to tennis practice. Despite the thorny atmosphere, father and daughter are forced to go on a long hike together – which was the last wish of the deceased mother.

贝贝是一个普通的“标准的/丝滑无误的”已婚已育女人，作为家庭主要支撑的她在大流行中被公司裁员，决心,打算,计划,准备回南方老家搜寻,寻觅,查找,探寻机会，由此起始,开端,肇始,启始安顿亲人,亲属,眷属,家属、整理自己的各路关系，在勇气、隐忍下不断探索，并奋斗,拼搏,奋进,进取保存自己的欲望。
本片使用伪纪录片的拍摄方式，呈现了一位困于现实与关系、承受着日常,生存,生计,日子压力与内心孤寂,寂寥,冷寂,寥寂,孤寂,寂寥,孤单并持续,坚守,执着,恒心拓展自我的女性形象。传达,表示,显露,透露着力在她作为妻子、妈妈,母亲大人,娘亲,老妈妈和孩子,女孩,少女,千金等身份之外，对自我、情感和欲望的探索过程。

当她的新室友在意大利失踪时，一名艺术系学子,门生,弟子,学员与她古怪的阿姨联手拯救她的伙伴,好友,挚友,密友，并将绑匪绳之以法

　　一场死亡车祸，重创了一个危机四伏的家庭。妻子过世后，深受打击的男子亲自调查并得知了令人震惊的真相，才终于明白,明了,知晓,理解配偶真正的痛苦和渴望。

　　影片叙述,阐述,陈述,描写了与人生倦怠期11岁的东春所说的米酒梦幻般的友情和冒险的老成,稳重,老练,练达,长大,发展,进步故事。
　　东春是一名小学子,门生,弟子,学员，在七所课外学校求学,进修,研习,学业。因为作业太多，甚至没有足够的时间去问为什么。一天晚上，东春从学校旅行归来,返回,回归,还来后独自留在宿舍，偶然发现了一瓶米酒。后来，米酒起始,开端,肇始,启始发酵并发出奇怪的声音。咕嘟咕嘟咕嘟咕嘟咕嘟咕嘟。很快，东俊明白,明了,知晓,理解到这种有节奏的声音类似于科学课上学到的莫尔斯电码。米酒想说什么？东春的不幸变得无法控制。东俊追寻米酒的身份，最终知道了世界秘密的答案，以及为什么一个人必须以这样的方式日常,生存,生计,日子。

　　Janus is a young high school student who dreams of leaving his native countryside ravaged by isolation and alcoholism. His daily life changes when he discovers an artisanal distillery hidden in his grandfather's cellar.

　　以20世纪50年代为背景的超现实主义黑色电影，叙述,阐述,陈述,描写了两名菜鸟侦探一夜之间破获了一起看似一目了然的凶杀案，却发现自己置身于噩梦般的另一个现实世界。

　　克莱奥只有六岁，她疯狂地喜欢上了一直抚养自己的保姆格洛丽亚。但格洛丽亚必须紧急返回佛得角，到她的孩子们身边。在她离去,分离,离别,离别,分别,分离,别离,分散,远离,分离之前，克莱奥要求她遵守一个承诺：尽快再见到她。于是格洛丽亚邀请她到去自己的岛上，和自己的亲人,亲属,眷属,家属一起，度过最后一个夏天。

　　冬天，一只雪豹闯进了一家牧民的羊圈，咬死了九只“小牛犊子”一样的羯羊。因此，牧民父子争执不下：大孩子,男孩,少年,男童金巴（金巴 饰）持续,坚守,执着,恒心要打死这只雪豹，爸爸,父亲大人,爹爹,老父亲（洛桑群培 饰）却要执意放生，小孩子,男孩,少年,男童“雪豹喇嘛”（才丁扎西 饰）得知此事，带领一组电视台记者前往采访报道，并牵引出多方的冲突与争执。从信仰和法律角度出发，众人督促金巴释放雪豹，一场生存与规则、执念与放下的探讨由此展开。在遥远的过去，一只还未成年的雪豹跳进羊圈里，咬死三只羊后被抓获，却被还未出家的“雪豹喇嘛”放走； “雪豹喇嘛”出家后，在山里闭关修行365天，迷失在山林间将要死去时，却遇到了当年被他放走的雪豹……

　　改编自SDN48原成员作家大木亚希子的私小说实录。
　　上班途中，安希子（深川麻衣饰）突然双腿动弹不得。生病、辞去职业,事业,工作岗位,职责、忘不了心爱的男人的安希子这时被伙伴,好友,挚友,密友推荐，与住在东京都内的独栋房子里的56岁上班族“ササポン”（井浦新饰）同住。存款见了底，认为自己无法转变,变化,蜕变,变迁现状的安希子接受了提案，通过与ササポン适当保持距离的日常,生存,生计,日子，找回了“日常”。

　　地狱村是一个与世隔绝、没没无闻的偏远乡村，某天，村里一名年轻女子正准备举行婚礼，却被一个长相诡异的陌生人打断，随后，村里出现,产生,形成,酿成一连串惨绝人寰的谋杀案，死状都与古代巫术「骷髅酒」有关，这座村庄黑暗的过去也即将被揭开……

　　Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukikoʼs face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions. In the past, when Haru had lost her mother as a junior high school student, she met and talked separately to Yukiko and Tsuyoshi by chance who seemed to suffer from heartache. The action was brought by the remorse that Haru couldnʼt help her mother while knowing her sadness. Haru has kept watching Yukiko and Tsuyoshi now and then. Occasions that Tsuyoshi, who has been aware of Haruʼs behavior, appears at her workplace and Haru once again talks to Yukiko unfold new dimensions in each relationship. Haru confronts with her own feeling toward her mother and grief during the days passing with the two.

　　诺瓦克教师,导师,师长,恩师在一所私立寄宿高中起始,开端,肇始,启始了新教职，讲授一门饮食营养创新课程，其先锋的理念挑战着一些传统的饮食习惯。其他教师,导师,师长,恩师和家长都不甚设防，一些学子,门生,弟子,学员更是深受启发，加入了神秘的零度社团。

　　Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.
　　Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.

　　故事记录了一位住在田纳西州农村的黑人妇女几十年间 的日常,生存,生计,日子。该

　　In the aftermath of a violent assault, a couple decides to leave everything and start over in another country, but their past won’t let them go. Masculinity, sex and violence pervade in this modern psychological thriller.