The life of Moonjung, the main character of Greenhouse, is not happy. She suffers from a psychological disorder, her young son is locked up in a juvenile detention center, and since she has no home, she lives in a greenhouse. She sometimes sees a man, but she’s not sure if she really loves him. However, since she is nice and sincere, she works as a caregiver for an elderly couple and gets by in harsh conditions until a tragic event happens. After the incident, her life falls into a whirlwind, and the narrative speeds into confusion. Using the genre conventions cleverly in every major part, the fate of Moonjung, who has fallen into the trap of tragedy, unfolds as a skillful thriller of pain.

　　A crew of young environmental activists execute a daring mission to sabotage an oil pipeline, in director Daniel Goldhaber’s taut and timely thriller that is part high-stakes heist, part radical exploration of the climate crisis. Based on the controversial book by Andreas Malm.

　　追梦路上永远年轻！ 2012年9月28号，来自北京的27岁杭州姑娘杨晨，和她的小伙伴徒步尼泊尔珠峰南坡，追梦路上经历,碰到,遇到,邂逅喜马拉雅空难，杨晨的爸爸,父亲大人,爹爹,老父亲无法承受失去爱女的生命之痛，为圆孩子,女孩,少女,千金生前看一眼珠峰，独自自驾上万公里到达西藏珠峰大本营，一路上想起了和孩子,女孩,少女,千金老成,稳重,老练,练达,长大,发展,进步中的日常,生存,生计,日子点滴。

　　一群离别原生家庭的小孩子，经莫姑娘（谈善言 饰）安排下，遇上天美姨姨（郑秀文 饰）和彬叔叔（陆骏光 饰）这个短暂的欢愉,美满,欢乐,愉快,欣喜,喜悦,愉悦中途站，天美姨姨亦因此经历十三年来从聚合到分离；遇上每一个孩子，他们却又再要分散，体验,体会,感悟,感悟到喜悦也要经历分离的痛。

　　故事是在世纪初期的南方小城，人们相信,坚信,深信,笃信着纯真与渴望,期望,盼望,企望能带来一个更好的明天。
　　你我的人生是历经一场又一场的赛道，这次跑道上是充满盼望的中学跑步队员与怀才不遇又奋力一搏的跑队教练。
　　作为一个目击者的作家吴又立，原来只想侧写这些少年的汗水与激情，但从远方来的她，却成了赛道上的不速之客。背叛横刀划开的伤害，流逝在那夏天燥热与不安的空气里，在跑道上扬起的灰尘里，湿润的双眼里，心碎的痛楚里……

　　素熙(金施恩饰)是一名专注于职业培训教育的高中生。渴望,期望,盼望,企望找到一份好职业,事业,工作岗位,职责的素熙，起始,开端,肇始,启始在分拣呼叫中心进行职业培训，但她面临着贪婪公司的巨大压力。高中生太难以承受这种局面，最终导致了她的死亡。与素熙有着共同点的刑警吴宥真(裴斗娜饰)负责此案。她起始,开端,肇始,启始追寻素熙的死因。本片将担任第75届戛纳电影节平行单元第61届影评人周单元闭幕片。

　　高中英文教师李淑敏（余香凝 饰）一直奋斗,拼搏,奋进,进取教学，却发现学子,门生,弟子,学员对她的课程始终兴致缺缺，反而热衷到补习班上课，视补教天王K.K.Ho（王浩信 饰）为偶像。李淑敏决心,打算,计划,准备潜入补习班一探究竟，在课程中被KK发现，两人针锋相对，大吵一架，但竟激起KK对她的好奇心及好感，送花道歉之外更展开追寻,寻求,探寻,寻觅。
　　
　　李淑敏对学子,门生,弟子,学员热衷补习颇不以为然，更对补习班充满偏见，她还发现KK任教的补习学校校长就是自己的爸爸李龙基（吴岱融 饰），她小时候认为爸爸,父亲大人,爹爹,老父亲严厉的言语，是间接害死妈妈,母亲大人,娘亲,老妈妈的凶手，父女亲情淡薄，一见面就吵架。
　　
　　然而KK的出现，让李淑敏转变,变化,蜕变,变迁对补习的看法，也起始,开端,肇始,启始用新的方式教学，患有心脏病的她，因过劳而昏倒，但她仍为了学子,门生,弟子,学员们重要的文凭检测强行出院，让爸爸,父亲大人,爹爹,老父亲非常担心，就在一个大雨天中，一场意外骤然而至，让他们都措手不及。

　　本片改编自平库waka的同名漫画，26岁的椎野智世从电视新闻中得知好友真理子去世的消息，真理子从学子,门生,弟子,学员时代起始,开端,肇始,启始就受到爸爸,父亲大人,爹爹,老父亲的虐待，小椎决心,打算,计划,准备为真理子做点什么。为了拯救真理子的灵魂，小椎决心,打算,计划,准备夺走她的骨灰，展开一次特别的旅行。

　　一支濒临解散的漂移赛车队为明白,明了,知晓,理解决危机，从电竞游戏领域挖来了日本最顶尖的玩家大羽纮一（野村周平 饰）。大羽的性格十分内向，且不善与人沟通，只是沉浸于游戏世界的他在赛车游戏中却拥有着惊天才能。从虚拟世界来到现实世界，作为真正赛车手出道的他，尽管想在实战中施展才能，但与他同场竞技的全部是赌上了身家性命，想要挑战更高速度的赛车勇士们。现在起始,开端,肇始,启始，请看天赋和车技慢慢觉醒的大羽，如何以自己的勇气，热忱,热诚,热心,热切，团队合作精神，打破虚拟与现实的障碍，不断跨越困难，迎来新的人生巅峰。

　　搞笑与恐怖兼具，诗意与荒谬齐飞，平日与末日共存。《白噪音》通过戏剧手法，刻画现代美国家庭试图在不可捉摸的世界中，处理日常日常,生存,生计,日子的普通,寻常,一般,平常冲突，解开举世皆惑的爱与死之谜，同时探索欢愉,美满,欢乐,愉快,欣喜,喜悦,愉悦的可能。

　　在一个研究烹饪和饮食的研究所，一个团体发现自己卷入了权力斗争、艺术化的仇杀以及胃肠道疾病之中。

　　“EMILY” tells the imagined life of one of the world’s most famous authors, Emily Brontë. The film stars Emma Mackey (“Sex Education”, “Death on the Nile”) as Emily, a rebel and misfit, as she finds her voice and writes the literary classic Wuthering Heights. “EMILY” explores the relationships that inspired her – her raw, passionate sisterhood with Charlotte (Alexandra Dowling – “The Musketeers”) and Anne (Amelia Gething – “The Spanish Princess”); her first aching, forbidden love for Weightman (Oliver Jackson-Cohen – “The Lost Daughter”, “The Haunting of Bly Manor”) and her care for her maverick brother (Fionn Whitehead – “The Duke”, “Dunkirk”) whom she idolises.

　　影片基于格雷自己的童年记忆创作，叙述,阐述,陈述,描写了在上世纪80年代美国正要选举罗纳德·里根为总统的背景下，一个关于友谊与忠诚的故事。格雷当时在纽约皇后区邱森林学校求学,进修,研习,学业和老成,稳重,老练,练达,长大,发展,进步，而唐纳德·特朗普是该校校友，特朗普的爸爸,父亲大人,爹爹,老父亲弗雷德·特朗普是这所私立学校的董事会成员。

　　炙手可热的导演对偶然结识的英俊小生一见倾心，当他把男伴拉拔成银幕新星时，却也陷入万劫不复的深渊。影片重新诠释德国新浪潮巨匠赖纳·维尔纳·法斯宾德的《柏蒂娜的苦泪》，并以法斯宾德本人形象将主角性别由女转男。
　　除了找来《无耻混蛋》德尼·梅诺谢与影后伊莎贝尔·阿佳妮同台飙戏，更邀来原作传奇女星汉娜·许古拉现身客串，堪称是向法斯宾德献上了最大胆的致敬。

　　Carla è incinta e nuda, imitando le pose che sua madre assumeva quando era incinta di Carla. La luce del sole filtra dalle finestre. Si vedono immagini in Super-8 di madri e padri, nonne e nonni, che sorridono, cuciono, recitano poesie. Poi, una giovane ragazza viaggia dagli anni Sessanta agli anni Ottanta, fino a oggi, attraversando le soglie della femminilità e della storia, fino all’incontro con Carla in riva al mare azzurro della Catalogna e con Manel, il figlio di Carla appena nato.

　　改编自筒井哲也的同名漫画。故事叙述,阐述,陈述,描写孤岛猪狩岛上人口及资源稀少，岛上青年泉圭太(藤原龙也 饰)生产的黑色无花果成就,胜利,凯旋,成果吸引到了大量资金进驻，松山研一饰演,出演,演出,表演,出演,担纲,担当与圭太自幼一起长大的猎人田边纯，两人的命运因一场谋杀案出现,产生,形成,酿成转变,变化,蜕变,变迁。

　　A young man who works as a Bar Mitzvah party host strikes up a friendship with a mother and her autistic daughter.

　　因为共同的悲伤,难过,哀伤,痛心,悲伤,难过,哀伤,痛心,苦闷,悲伤,忧伤,痛苦,忧伤和与音乐的联系，一名孤女和感情冷淡,疏离,淡漠,疏远但事业有成的小提琴家叔叔建立了感情。

10-year-old Ellie is fascinated by nature and birds, she spends her time reading about them. One day, a few miles from school, she goes onto a little island on the Loire River to take a bird book back to the library. It's an island full of birds.

　　一夜之间被长官性侵、流氓轮暴的可怜小兵魂，在灵堂告别妈妈,母亲大人,娘亲,老妈妈后，附在不同的活人身上周游列国，漂洋过海探望变了性的哥哥。台湾、日本、西班牙、泰国，淘气的小鬼介入路见的罗曼史，捉弄和惩罚不忠的情人，但却没法拯救遇人不淑仍屡败屡战的姐姐。失落的他最后流落到香港，遇上志同道合的美眉 ，援助,协助,辅助,助力怀才不遇的青年谱出恋曲。他们的栖身处，是一间以修车房为名，实际从事不容于世俗业务的神秘所在。电影灵感源自其中男主角在上一部电影拍摄期间被附体的真鬼真事，信不信由你。

　　A movie that follows a young, black attorney who has spent years offering live, online sex performances to pay for law school and “endeavours to construct dialogues between different identities, without this leading to the annulment of identarian policies.

　　本作は“ごみ屋敷”をテーマに、6編のエピソードで構成された“断捨離人情喜劇”。主人公は原因不明の手の震えによりピアニストのキャリアを断たれた白高律稀だ。彼はたまたまチラシで見かけたごみ屋敷専門の清掃業者・断捨離パラダイスで働き始める。破天荒な上司と、さまざまな事情を抱えた依頼者たち。律稀は想像を絶する世界を目撃していく。

　　When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
　　Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.

　　When Anya starts behaving like his recently-deceased mother, Emmett must confront his deepest traumas to free his fiancee from this bewildering possession.