一部难得的片子，通过毕加索的亲人,亲属,眷属,家属，前妻，画商，伙伴,好友,挚友,密友的解读，我们才知，尽管毕加索的晚年作品濒临色情的边缘，但也让我们见识了什么是不顾一切狂野地传达,表示,显露,透露自己突破绘画技巧！而为了悟透男人与女人，性欲与爱的关系，纪录片里会解密他是如何做的。毕加索一生都受性的诱惑，他在作品与日常,生存,生计,日子中都全身心地享受性的乐趣。毕加索每次换个女人，也是每次换个标准，换个视觉，因为他要全部占有女人，直至她的视觉；这时他自己也换了个人。“标准”、“转变,变化,蜕变,变迁视觉”、“性的对话”、“性与心的转换”、“占有女人直至她的视觉”，这是毕加索的艺术中的性心理学的一条粉红色线。如果狄德罗知道了，会说这是极佳的心理临床学。因为他早在两个半世纪以前就说：“一切生物都是你中有我，我中有你……任何禽兽都多少是人，任何矿物都多少是植物，任何植物都多少是禽兽……人是什么?人是某类倾向的总和。”

　　Two cricket journalists set off on a journey to the heart of the game they love, only to stumble upon one of the biggest sporting scandals ever. This is a film about passion, greed, power - and standing up for what you care about.

　　In impeccable evening dress, Mark Gatiss and Matthew Sweet ponder the Bonds we've seen on screen since Dr. No in 1962.
　　To date, six actors have portrayed British Secret Service agent James Bond. Which 007 is the best? Was Sean Connery impossible to surpass? Was George Lazenby really that bad? Was Live and Let Die really a blaxploitation movie in disguise?
　　Gatiss and Sweet consider these and many other questions, and raise a martini in honour of their premium Bond.

　　在这部纪录片中，数学教授马库斯·杜·索托伊展示,揭露,显示,呈示了算法的隐秘世界，历史长达 2000 年的算法到底是如何援助,协助,辅助,助力人类解决问题的？

　　Expert historian, yet novice rider, Lucy Worsley learns the 17th century art of horse ballet leading up to a public performance. Along the way, she explores the origins of this peculiar pastime, witnesses spectacular displays abroad and discovers its surprising legacies.