Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

　　Society sleuths Nick and Nora Charles investigate a murder aboard a floating casino.
　　Nick and Nora Charles are attending a charity benefit aboard a gambling ship.
　　After a murder occurs, suspicion falls on Phil Brant, who had argued with the victim earlier in the evening.
　　When Phil and his wife seek help from Nick and Nora, Nick refuses to get involved.
　　But when shots are fired outside his own apartment, Nick begins to investigate, and he soon finds himself in a confusing case with numerous suspects.
　　Nick and Nora Charles were the ultimate screen couple, husband and wife detectives, always in step and never missing an opportunity to outwit one another as they solved each crime, which they did just in time for the movie's ending.
　　Myrna Loy was a fantastic Nora, the ideal wife and considering she made 14 movies with William Powell, she made it look like they were really married.
　　The Thin Man movies, all six of them, played more like sophisticated screwball comedies than murder mysteries, and their comic banter enhanced the proceedings.
　　Their little wire-haired terrier, Asta, quite often stole the scene as he helped sleuth out the guilty party.
　　He was a great little actor and rumor had it that away from the Thin Man movies, Asta was really Skippy.
　　However, the six Thin Man movies credit this cute pooch as "Asta."

　　豪斯夫人（林·科恩 Lynn Cohen 饰）的死让目击者拉里（伍迪·艾伦 Woody Allen 饰）起了疑心，因为作为死者的丈夫，保罗（杰里·阿德勒 Jerry Adler 饰）不仅没有展现,呈现,显现,体现出一丝的悲伤,难过,哀伤,痛心，更是和一名叫海伦（Melanie Norris 饰）的美丽女子 来往密切。
　　在好友特德（阿伦·阿尔达 Alan Alda 饰）的援助,协助,辅助,助力下，拉里起始,开端,肇始,启始了对于保罗的跟踪调查，但很快拉里便发现，特德和自己的妻子卡罗尔（黛安·基顿 Diane Keaton 饰）似乎有着暧昧的关系。随着调查的深入，事件的真相逐渐浮出了水面，为了掩盖自己所犯下的罪行，保罗绑架了卡罗尔，以此威胁拉里。在众人的搀和下，事情变得越来越繁复,纷繁,繁杂,杂乱，而拉里唯一要做的，就是救出妻子。

　　12岁的小尼克和莫瑞叔叔﹝杰森罗拔兹饰﹞同住，莫瑞总是渴望,期望,盼望,企望多一事不如少一事，但困扰,烦恼,烦忧,烦扰却总爱找上他。儿童福利中心的社工们渴望,期望,盼望,企望莫瑞能有个正常的家庭关系，否则就要将小尼克送走，他们该如何是好？

　　Nick and Nora's hopes for a pleasant afternoon at the local race track are dashed when a jockey is found shot dead in the locker room. Nick's friend Lt. Abrams wants him to help out but Nick is enjoying the good life too much to get involved. However, he is subsequently approached by Major Scully to look into corruption and the role of organized crime in gambling. Others are killed but in the end, Nick gathers all of the suspects into a room and identifies the killer.

　　海伦（卡洛·朗白 Carole Lombard 饰）拥有美丽的外貌和善意,良善,仁慈,慈善的个性，但唯一的缺点就是喜欢撒谎。肯尼斯（弗莱德·麦克莫瑞 Fred MacMurray 饰）是海伦的丈夫，同时也是一名律师，和海伦恰恰相反，肯尼斯是一个非常实事求是的男人，绝对不会给满口谎言之人做辩护。
　　为了补贴家用，海伦瞒着肯尼斯偷偷找了一份做秘书的职业,事业,工作岗位,职责，哪知道她的雇主是一个打色狼，在他企图对海伦图谋不轨之后，海伦打了他。哪知道第二天竟然传来了他的死讯，海伦不幸成为了最大嫌疑人遭到了逮捕。肯尼斯决心,打算,计划,准备为自己的妻子辩护，可是面临,直面,应对,应付丈夫的质问，海伦又起始,开端,肇始,启始不受控制的鬼话连篇起来。

　　66岁的施密特先生（杰克•尼科尔森 Jack Nicholson 饰）退休赋闲在家，无所事事的日常,生存,生计,日子让他颇感无聊。每天依旧7点起床，可是陪伴他的只是无聊的字谜游戏和令人生厌的妻子，施密特需要找点事来转变,变化,蜕变,变迁自己的日常,生存,生计,日子，于是他打算资助一位坦桑尼亚的孤儿恩度古，并提笔给他写了第一封信。妻子的忽然离世让他的日常,生存,生计,日子显得更加冷清，他曾至起始,开端,肇始,启始想念那个乏味的女人，可是就在这时，他在妻子的换衣间里找到妻子和另一个男人的情书。施密特决心,打算,计划,准备独自驾车去旅行，他去了很多曾经日常,生存,生计,日子过的地方，忆起,追忆,回想,缅怀当年感慨良多。在一时冲动接吻,轻吻,吻别,亲吻一位有夫之妇之后，他慢慢的谅解,宽恕,饶恕,怜悯了自己的妻子。孩子,女孩,少女,千金的婚姻比自己想像的更糟，平庸的丈夫和不可思议的家庭让他对孩子,女孩,少女,千金的未来愈加担忧，然而这一切都非他所能转变,变化,蜕变,变迁。旅途中他从未终止,中止,停顿,暂停给恩度古写信，在信里，施密特详尽的描述着自己的日常,生存,生计,日子和困惑。当施密特参加完孩子,女孩,少女,千金的婚礼，回到家时意外的收到恩度古的回信，看着那些简易,简约,朴素,单纯的文字和恩度古充满童真的图画，施密特忽然泪如泉涌……

　　当发电厂出现,产生,形成,酿成意外事故时，废水管爆破而排放出含有放射物质的废水，虽然发电厂厂长极力挽救，但是废水已经污染到学校的水源。学校内一名学子,门生,弟子,学员喝下受到污染的自来水后，即产生化学反应跳楼死亡。华伦和克莉丝想警告其他学子,门生,弟子,学员，但是没有人相信,坚信,深信,笃信他们。「飙车党」再度攻击华伦和克莉丝，将他们逼入地下室而面临,直面,应对,应付「巨型怪物」，十二尺怪物追逐他们进入学校的实验室，即起始,开端,肇始,启始产生化学变化而引起放射性爆炸反应，于是整个学校被炸成一片废墟，而华伦带着克莉丝设法逃出现场，却陷入危险重重的困境……

　　As told to a psychiatrist: Mr. Peabody, middle-aged Bostonian on vacation with his wife in the Caribbean, hears mysterious, wordless singing on an uninhabited rock in the bay. Fishing in the vicinity, he catches...a mermaid. He takes her home and, though she has no spoken language, falls in love with her. Of course, his wife won't believe that thing in the bathtub is anything but a large fish. Predictable complications follow in rather tame fashion.

　　杰克凯斯为三藩市一名资深警探，从21岁加入警界以来一直未能有所展现,呈现,显现,体现。雷吉汉蒙德为黑人区一名惯犯，从15岁起起始,开端,肇始,启始犯案累累。巧的是两人都想力图转变,变化,蜕变,变迁现况，而更巧的是两人竟然在同时间不期而遇，因此引发了一场争斗。
　　重刑犯艾伯特·刚茨在他的老搭档比利·拜尔的援助,协助,辅助,助力下成就,胜利,凯旋,成果越狱，他们立即杀死了自己的同伙亨利·王，用假名字住进了三藩市的瓦尔登旅馆。年轻干探杰克·盖茨（Nick Nolte饰）郁不得志，酗酒成性。此番受命与同僚,工友,伙伴,搭档VanZant 和Algren入住瓦尔登旅馆，调查名叫G. P. Polson的人，不想VanZant 和Algren被艾伯特所害。杰克欲为同僚,工友,伙伴,搭档报仇，劝服上司Haden让他独立办案。杰克到监狱探视艾伯特从前的搭档雷吉·汉蒙德（Eddie Murphy饰），以减刑为由，渴望,期望,盼望,企望雷吉援助,协助,辅助,助力他抓捕艾伯特和比利，雷吉勉强答应，但杰克只能将其带出监狱48小时，更糟的是二人之间出现,产生,形成,酿成了争执并在垃圾填埋场大打出手。原来，雷吉在垃圾场停有一车，车上有他入狱前存的500000美元。现在，艾伯特绑架了知道车的位置的同伙路德的女友，逼路德将车找出。雷吉得知此事，为赶在返回监狱前保住那笔钱，不得不与杰克捐弃前嫌，协力追捕艾伯特……

　　In this Tony Award-winning musical by Stephen Sondheim, several fairy tale characters learn the hard way that the 'Happily Ever After' they sought isn't necessarily so happy after all.

　　对于这个世界闻名的丑角三人组来说，没有任何一种艺术形式是神圣的。他们对侦探片也狠狠地嘲弄了一番：他们揭穿了店主的欺诈行为并以自己独特的方式将商店整理得焕然一新……和几乎所有的马克斯三兄弟的电影一样，情节只充当一根将所有单个场面串联起来的绳子。这座巨大的商店有着数不清的科室、规章条款、各式各样的人以及奇特的行事方式，这一切都给予了三兄弟足够的空间来传播她们恶毒的、毁灭性的幽默。

　　爸爸,父亲大人,爹爹,老父亲（克里斯托弗•普卢默 Christopher Plummer 饰）的离世给奥利弗（伊万•麦克格雷格 Ewan McGregor 饰）造成了很深的影响。职业,事业,工作岗位,职责上出现瓶颈，对人际交流感到疲乏,疲惫,困乏,倦怠，遇到心仪的姑娘也无法放开束缚。在爸爸,父亲大人,爹爹,老父亲不在的日子里，总会不时的回想起起始,开端,肇始,启始出现,产生,形成,酿成变化的那一天。妈妈,母亲大人,娘亲,老妈妈去世后的某一日，爸爸,父亲大人,爹爹,老父亲把奥利弗招到跟前，跟他说了两件事。一是他得了癌症；二是他宣布出柜了。奥利弗起初吃惊不已，难以承受。但在爸爸,父亲大人,爹爹,老父亲治疗的过程中，看到他和他的同性恋人相待,交往,来往,共处融洽，看到爸爸,父亲大人,爹爹,老父亲重新绽放活力和生机，奥利弗的心也在慢慢得到治愈。爸爸,父亲大人,爹爹,老父亲虽已离去，但其影响仍在，尤其是对奥利弗处世态度的影响和转变,变化,蜕变,变迁。这些指引着当下的他变得勇毅,刚勇,英勇,勇武，在人与人相待,交往,来往,共处的过程中，所有人都只是初学者而已。
　　影片改编自导演和其爸爸,父亲大人,爹爹,老父亲的真实故事。饰演,出演,演出,表演,出演,担纲,担当爸爸,父亲大人,爹爹,老父亲一角的克里斯托弗•普卢默获得了第69届金球奖最佳男配角奖以及第84届奥斯卡最佳男配角奖。

　　一名怀孕的吸毒女子在是否堕胎之间左右为难。影片中没有绝对正面的人物，佩恩以一种不计后果的勇气和甚至有些刻毒的嘲讽对堕胎这一事件上的双方都进行了挖苦——在这场上升到意识形态领域的争执中，个体生命是最终被忽视和被牺牲的。尽管喜剧元素有些夸张过火，但佩恩犀利敏锐的社会讽刺和出色的幽默感却在影片中初露峥嵘。也是从这部电影起始,开端,肇始,启始，佩恩和吉姆·泰勒进行合作编剧。

　　斯坦利．克雷默执导，联美公司制作的本片，叙述,阐述,陈述,描写的是一个反映人性阴暗面的日常,生存,生计,日子剧。史马尔考文超车坠崖身亡，在临死前透露在圣塔罗西公园埋着一大笔钱。知道这个消息的有八个人，各种不同的身份、不同的背景、不同的职业，为了独得这份意外之财，分别展开了可笑、惊险、疯狂的争夺。谁知他们所争夺的是15前被抢劫的赃款，他们所作的一切都在警方的掌握之中。宝藏终于被挖出，克劳派队长因为退休在即，而退休金又少得可怜，所以便假公济私，夺款潜逃，但最终被警方抓获，使发财梦想成为泡影。本片以嬉笑怒骂的方式，将人性的难看,丑恶,丑样,丑态形态一表无遗，将人物角色刻划得入木三分，虽闻笑声，但却可见编导的良苦用心。

　　Waldo and Irene have been living with Margit for the four years that they have been engaged. Margit has planned the wedding and the honeymoon - in fact, Margit plans everything down to what they will have for breakfast every day. The only problem is that Waldo is a milquetoast and Irene does not want to be married to a milquetoast. So she says she is in love with Charlie, a bohemian artist/producer who lives in a trailer behind Spike's Place. When Margit confronts Charlie about giving up Irene, Charlie sees that she is the one for him. To make everyone happy, Charlie will have to help Waldo get a backbone. Written by Tony Fontana {tony.fontana@spacebbs.com}

　　剧情叙述,阐述,陈述,描写美国缉毒人员因查案被杀，其孩子,女孩,少女,千金猜疑,疑惑,质疑,存疑一英国化妆品公司与此事件有关，遂到此公司做工业间谍，因而相识,明白,明了,知晓,理解,认知,懂得了另一位以工业间谍掩饰身份的国际警察，二人合力破了大案。

　　在犯罪生涯中，魅力、智慧和成就,胜利,凯旋,成果并不能阻止小帕里斯·皮特曼在亚利桑那州的沙漠中服刑10年。然而，那些年应该很快就过去了，因为之前藏了50万美元。新的理想主义的监狱长只会让Pitman想要更快地获得他的财富。他起始,开端,肇始,启始操纵每个人以达到他的目标。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
　　imdb comment

　　Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.

　　剧情简介：
　　卡夫卡是二十世纪著名的存在主义大师，本片以他为男主角，但并非一部严肃的传记片，只是以他年轻时的一段离奇经历,碰到,遇到,邂逅，带出了一部相当别致政治惊险片。当时，卡夫卡是保险公司的一名小职员，虽已因出版《蜕变》一书而获得好评，却仍孤僻内向不跟同僚,工友,伙伴,搭档来往。一天，唯一跟他来往密切的同僚,工友,伙伴,搭档离奇落水死亡，其未婚妻无法接受警方是自杀的说法，乃找卡夫卡援手,搭手,帮衬,帮助追查真相。由于他们两人都是无政府主义革命分子，该组织乃要求卡夫卡也加入组织，并援手,搭手,帮衬,帮助撰写传单，卡夫卡拒绝所求，被卷入漩涡的中心，令他发现了可怕的真相。以《性、谎言、录影带》崛起的导演史蒂文．索达伯格将气氛拍得相当紧凑迷离，男主角杰瑞米．艾恩斯亦表演出色，将一个妄想狂的内心世界巧妙地呈现。