Agathe（卡米莉·拉瑟福德 Camille Rutherford 饰）笨拙但富裕,富足,殷实,丰裕魅力、充满矛盾，目前处于让人绝望的单身状态。她梦想着体验像简·奥斯汀小说一般的爱情，最大的目标则是当一个作家。然而，她所从事的是在巴黎的传奇书店Shakespeare & Company里卖书。此后，Agathe被邀请去英格兰的简·奥斯汀作家故居，在那里，她必须直面内心的不安全感，最终去追寻,寻求,探寻,寻觅实现当小说家的志向，不再荒废她那多愁善感的人生。

　　荷马和尤利西斯是谁，《奥德赛》背后的真正意义是什么？在这部纪录片中，我们跟随尤利西斯的脚步，穿越地中海一些最迷人的自然景观，并试图解答这些困扰了几代学者三千多年的问题。
　　我们的目标是确定那些激发了奥德赛史诗创作灵感的独特地点，我们的探索还将着眼于展示,揭露,显示,呈示人类最重要文学作品背后神秘作者的身份，并展示,揭露,显示,呈示围绕尤利西斯和他的冒险中一些最有趣的神话和传说的医学和科学真相，在某种程度上，这是人类的史诗。
　　1. 《奥德赛》之谜（Enigmas Of The Odyssey）
　　2. 在现实世界中探索（In The Real World）
　　3. 巨人与爱人（Giants And Lovers）
　　4. 从星空到冥界（From The Stars To The Underworld）
　　5. 海的神话（The Mythical Sea）
　　6. 终章（Finale: The Final Act）
　　解说：Elea Petit
　　作曲：Petteri Sainio, Matthew L. Fisher

　　当暴力和可怕的死亡事件起始,开端,肇始,启始困扰一个小山村时，一个关于恶毒生物的古老传说重新浮现。两名方法不同的警察被迫联手，揭开一个涉及当地儿童失踪的阴谋。朱利安·莫利和亚历山大·布斯蒂罗是法国电影界公认的鬼才，他们始终致力于奇幻、科幻、恐怖和惊悚艺术的创作。两人共同执导的第一部长片《身在其中》被称为法国有史以来最血腥的电影之一，入选戛纳电影节影评人周，在世界各地获奖无数。本片是两人合作的最新作品，延续了一贯风格，为观众带来最刺激的视听体验。

　　Adapted from the novel De l'influence du lancer de minibar sur l'engagement humanitaire.

This is the last frontier, endless white plains stretching out to the North Pole, a land of ice running over a frozen ocean. This place can be challenging, but life in the Arctic is about to get even harder for Kina & Yuk. The brave Arctic foxes will soon become parents for the first time. Arctic winters are no longer what they used to be and global warming is reshuffling the cards for everybody. Gone hunting on the shoreline, Yuk ends up being trapped on drifting ice. Left alone, Kina has no other choice but to venture into unknown territories. Just a few days away from giving birth, the countdown has started! Will they manage to find each other in time for the birth of their cubs? On their way, they will meet some unexpected friends and ferocious foes across dazzling yet fragile landscapes. This wildlife adventure is a tale of love, hope, friendship, and endurance. It will take you on a journey full of surprises and natural wonders.

Synopsis                                    
                               　　A sudden gunshot destroys the dream of two lovers. The fate of Orpheus and Eurydice is a cruel one. On their wedding day, her soul is kidnapped and taken down into the Netherworld. Under a metaphysical sky Charon, the taxi driver, waits for the crime to be committed.                                    
                               　　COMMENTARY                                    
                               　　The movie is an opera-musical with an immersive and transmedial language. The myth is transposed into the contemporary age: Charon is a taxi driver and we go from Paris half under water to the stage of the Teatro Regio in Turin, in a play of musical references that range from Puccini to Händel, from Verdi to Gluck, from Vivaldi to Frankie Goes to Hollywood. And the images fuse words, lyric opera, fashion and the visual arts, between the real and the virtual.                                    
                               　　DIRECTOR'S STATEMENT                                    
                               　　We created an unexpected encounter between acting and lyric opera, between pop, special effects and images filled with symbolism. Bringing into a cast of extraordinary actors such as Vincent Cassel, Fanny Ardant and Rossy De Palma two young artists selected among hundreds of lyric opera singers: Valentino Buzza and Mariam Battistelli.

卡马尔格，法国——内吉玛正在奋斗,拼搏,奋进,进取训练，以赢得当地的斗牛比赛。然而，在一次庆祝活动后，她被牛袭击，起始,开端,肇始,启始注意到一些令人不安的变化。与此同时，一头失控的公牛在社区中横行，导致年轻男子接连丧命，令居民们感到恐慌。

10-year-old Ellie is fascinated by nature and birds, she spends her time reading about them. One day, a few miles from school, she goes onto a little island on the Loire River to take a bird book back to the library. It's an island full of birds.

　　当米里亚姆（蕾雅·德吕盖 饰）跟丈夫安托万·北松（德尼·梅诺谢 饰）离婚后，她渴望,期望,盼望,企望12 岁的孩子,男孩,少年,男童朱利安（托马斯·吉奥利亚）能够远离拥有暴力倾向的爸爸,父亲大人,爹爹,老父亲，故向法庭申请单独扶养权。然而安托万成就,胜利,凯旋,成果在庭上说服法官，法官最终判处双方拥有共同监护权。大受打击的米里亚姆除了要接受未如所愿的裁判外，还要提防前夫别有用心的爸爸,父亲大人,爹爹,老父亲。面临,直面,应对,应付水火不容的双亲，身处夹缝中的朱利安不得不想尽一切办法，阻止家庭危机。

Un jeune professeur est accusé de harcèlement par une de ses élèves. Même s'il est innocent, l'incident tourne à l'incendie et embrase le collège.

　　The rise of Stalin, from his early beginning as a bankrobber to the cold-blooded leader of the Soviet Union.
　　Who was Stalin? The man who defeated Nazism? The “Little Father of the Peoples"?  Or the greatest criminal of his time? In Apocalypse Stalin, three 52-minute episodes, Isabelle Clarke and Daniel Costelle paint the portrait of one of the fiercest despots of the twentieth century, using archive film of the day. This footage has been perfectly restored and beautifully colorized by the Apocalypse production team.  Starting with the fight to the death against Hitler, the series tells the story of the incredible rise to power of Joseph Jughashvili. This cobbler's son from Georgia started with nothing and made his way up the ranks through various intrigues and crimes, ultimately rising to absolute power and adopting the moniker Stalin - “man of steel" in Russian. From a human standpoint, the series describes the enormous tragedy that befell the Soviet people between 1878 and 1945, as they found themselves caught in a trap that became a living hell.

19 岁的 Liane 勇毅,刚勇,英勇,勇武而热忱,热诚,热心,热切，与妈妈,母亲大人,娘亲,老妈妈和妹妹一起日常,生存,生计,日子在法国南部弗雷瑞斯尘土飞扬的阳光下。 她痴迷于美丽和成为“某人”的需要，将真人秀视为她被爱的机会……当她试镜“奇迹岛”时，命运向她浅笑,莞尔,一笑,会心。

一辆休旅车冲下悬崖，司机当场死亡。死者涉及一桩枪案，但赃物却不见踪影。法国警官维威耶和瑞士警探梅耶再次联手破解谜团。

The story revolves around renowned orchestra conductor Thibaut. When he’s diagnosed with Leukaemia, he sets out in search of a compatible donor for a bone marrow transplant. He subsequently discovers that he’s adopted and that he has an older brother in the North. The latter is an office worker, but he also plays trombone in a local brass band which is soon to be dismantled. Against the backdrop of the closure of the only factory in the area, their meeting marks the beginning of a fraternal, social and musical adventure…

为了一场未出现,产生,形成,酿成的展览，法国庞毕度中心向李欧卡霍抛出大哉问，请他用图像响应自己。向来不按牌理出牌的卡霍再度出人意表，亲自粉墨登场，以磁性画外音细述，并亲上剪辑台，透过隽永老歌、耸动字卡、怀旧相片，以及家庭录象、纪录档案与电影片段，让图像彼此撞击产生新意，不论政治、历史、个人与影史皆揉合为一，一部半自传基调的「卡霍式」散文电影于焉问世。

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

When an intelligence agent offers a washed-up DJ the opportunity to take down his young rival, he sees it as a chance to return to the top with a banger.

玩世不恭的少年成天与死党鬼混，对小镇的畜牧职业,事业,工作岗位,职责毫不在意，青春躁动的欲望，也让他无心关照,照应,关怀,关爱年幼妹妹。突如其来的车祸意外，男孩被迫一夜长大扛起所有家计。一事无成的他，只好重操爸爸,父亲大人,爹爹,老父亲的旧业，试图靠古早技法制作干酪，夺得比赛奖金。好友为他卖车赎回机具，他勾搭农场少女偷取顶级牛奶，没想到一勾竟真的动了心。友情、爱情与现实三重夹击，他能否安然度过这场人生窘局？

　　Nadia Tereszkiewicz and Benoît Magimel will topline Di Giusto’s La Rosalie. Production will begin in the fall in the region of Brittany for what we believe is a set in the 19th century and inspired by Clémentine Delait – known as France’s bearded lady. Sandrine Le Coustumer co-wrote the project which is being produced by Trésor Films.

三名特务奉命找回被偷的手提箱，他们却发现手提箱里有一张秘密地图，里面藏着二战时期的宝藏。在遭到法国国防部长的背叛与前海军陆战队员的追杀后，他们决心,打算,计划,准备自行夺取宝藏。

一个小男孩为了逃避爸爸,父亲大人,爹爹,老父亲的暴力而在一个想象中的世界避难。

　　约亚夫（汤姆·梅西尔 Tom Mercier 饰）是一名以色列退伍军人，他非常向往法国浪漫而又开放的风气，于是只身一人来到了巴黎，结果却惨遭打劫，身上的财物被洗劫一空，就在这个紧要关头，一对艺术家情侣卡洛琳（昆汀·多尔马尔 Quentin Dolmaire 饰）和艾米勒（露易丝·谢维洛特 Louise Chevillotte 饰）向约亚夫伸出了援手，令他免于流落街头的厄运。
　　经此一劫，约亚夫决心,打算,计划,准备彻底舍弃,抛弃,割舍,摒弃自己的国籍和身份，做一个彻头彻尾的法国人。他拒绝再说母语，通过背同义词的方式求学,进修,研习,学业法语。很快，约亚夫就发现，卡洛琳和艾米勒虽然对自己表面友善，但其实是在利用他。约亚夫在战场上的悲惨经历成为了艾米勒创作的养分，而卡洛琳则试图通过约亚夫强壮的身体来满足自己无穷无尽的性欲。

Jean Rollin 著名法国情色恐怖影片导演，他比较出名的情色恐怖影片有《吸血鬼的强暴》《血唇》《女魔复仇记》......这部影片《魔鬼挽歌》是Jean Rollin在1971年拍摄的。当时Jean Rollin仅花一个月的时间就写出了整个剧本并全身心投入拍摄。                                    
                               　　女同性恋倾向的情节在Jean Rollin的影片中会经常看到，但是导演并没有特意的去表露出同性倾向的寓意，而是将情色完全融入到恐怖气氛之中。关于拍摄的场景：Jean Rollin的电影主要是在野外比较空旷无人与世隔绝的地方进行拍摄。可能影片给大家的感觉会很安静，甚至会睡着，这便是Jean Rollin影片的特色之一，没有华丽雄伟的建筑，而是破烂不堪的小房屋和冰冷的无人的古堡，让整部影片返璞归真。影片没有任何特技制作，这使得影片真实，从中看不到任何商业影片的痕迹。可能看惯商业影片的观众会认为Jean Rollin的影片拍得很烂，没错导演在拍摄每部影片时并不讲究影片要有多么高的成本，演员要有多么美，演技要有多么精湛。商业化不是Jean Rollin的一派作风。关于演员：《魔鬼挽歌》这部影片中是演员的确没有甚么演技，只是靠肢体语言很配乐来诠释,演译,阐释,解释，片中台词很少，仿佛是在欣赏20年代的影片。没有矫揉造作夸张的诠释,演译,阐释,解释，既使影片更贴近现实又使影片舞台戏剧化，使得影片艺术观赏度增大。