1901年1月27日，著名作曲家歌剧大师威尔弟去世，这也正是意大利北部两户家庭产子的同一天。阿弗雷德（罗伯特·德尼罗 Robert De Niro饰），富裕,富足,殷实,丰裕的农场主的孙子；奥尔茂（杰拉尔·德帕迪约 Gérard Depardieu饰），贫寒,贫困,穷困,贫乏的农户的孙子。两人从小就结下了友谊，然而因为地位阶级与出身经历的不同，注定了两人天壤之别的迥然人生。
　　由意大利著名导演贝纳多·贝托鲁奇执导的史诗巨作《一九零零》，以20世纪初期意大利社会动荡时期为故事背景，时间跨越40年，叙述,阐述,陈述,描写了阶级矛盾和家族纷争下仇恨和抗争的故事。本片被西方国家视为阶级斗争电影读本，加上电影情节的大胆尺度，影片被长期禁映。本片演员阵容豪华，巨星云集，包括罗伯特·德尼罗、杰拉德·德帕迪约、唐纳德·萨瑟兰、多米尼克·桑达、伯特·兰开斯特、斯特林·海登、斯坦芬尼·桑德莱里、劳拉·贝蒂等众多大牌明星。

　　The winter of 1917, the North-East front, the final clashes of the Great War. An Italian stronghold situated at 1800 metres above sea level, on the Asiago plateau, described in the novels of Mario Rigoni Stern. It’s snowing everywhere; the Austrian trenches are so close that you can hear the enemy soldiers breathing.
　　A hundred years since the outbreak of World War I, maestro Ermanno Olmi describes with Torneranno i prati his vision of a conflict that cost the lives of 16 million human beings, just as it was brought back to him by the memory of his father, called to arms at 19 years of age, to find himself within the bloodbath of Carso and Piave. A drama that scarred his youth and the rest of his life, just like millions of others.

　　18世纪，一群被逐出境的女人乘坐一艘从西班牙前往美国的船。在未分级的版本里，有着女同志的投射。

　　洛伦佐（雅各波•奥尔莫•安蒂诺里 Jacopo Olmo Antinori 饰）是一个内心细腻而又敏感的14岁男孩，老成,稳重,老练,练达,长大,发展,进步在一个不欢愉,美满,欢乐,愉快,欣喜,喜悦,愉悦的家庭之中的他非常讨厌社交，因此，当学校决心,打算,计划,准备举行滑雪活动后，洛伦佐抉择,挑选,取舍,取择了躲进地下室，在一个星期的时间里，洛伦佐将享受没有任何人打扰他的欢愉,美满,欢乐,愉快,欣喜,喜悦,愉悦日常,生存,生计,日子，他可以尽情的和自己喜欢的音乐、书籍、游戏呆在一起。
　　让洛伦佐没有想到的是，同父异母的姐姐奥莉薇娅（泰娅•法尔科 Tea Falco 饰）的出现彻底打破了他对于未来一个礼拜的甜蜜幻想。这个做事从来不按照常理出牌的女人就这么大大咧咧的闯入洛伦佐的私人空间之中，但是，这一次被迫的相待,交往,来往,共处，也让洛伦佐对于他的姐姐，甚至是他的人生有了新的见解。

　　一群互不相识,明白,明了,知晓,理解,认知,懂得,结识,相知,熟识的陌生人与一个神秘的人物接触，他们相信,坚信,深信,笃信这个人拥有给予任何愿望的力量，作为回报，他们必须执行他分配给他们的任务...

　　艾乐是一名出生在意大利北部的19岁女孩，如今与妈妈,母亲大人,娘亲,老妈妈在巴西利卡塔日常,生存,生计,日子。为了不让爸爸,父亲大人,爹爹,老父亲的旧露营车被报废，艾乐在高中毕业考试之前驾车逃走。然而，她在露营车里发现了前一天在车里过夜的21岁罗马尼亚女孩米娅。两个女孩的出走自此成为了一场驶往国与国，友情与爱情，青春期和成年的边境的旅程。

　　The fate of a championship is being decided on a soccer field, but along with it, the lives of many people who have decided to turn things around are at stake. Be it for money, as is the case of Italo - president of the Sporting team who bet everything he has left on the final result; be it for honor, as is the case of coach Bulla - who has never won a title his whole life; be it for a dream, as is the case of Antonio - the team captain who wants to go pro. Away from the field, the rest of the world keeps living, dying, and showing off its contradictions. But inside the game, time comes to a halt because it's the most important of all moments.-微博@摆渡字幕组 整理

　　情绪不稳的特种部队退役军人为了拯救爱女，在追缉绑匪时释放出他猛兽般的一面，自己也旋即成为嫌疑犯。

　　Even today, in order to create a sculpture in bronze, it is necessary to take the same steps taken in the fifth century BC for the Riace bronzes. These steps are not taught in school, but are passed on in the ancient oral tradition and through apprenticeships from artisans. This documentary is a way to observe and feel the work of a 100-year old bronze foundry in Italy: a place were past and present share the same gestures and where each gesture it's a sculpture itself.

　　In late September 1975, a renowned Catholic school in Rome for sheltered, upper middle class boys is attacked in what became known as the Circeo Massacre. The film examines what triggered the violence.

　　四十岁的艾丽莎意识到自己身患绝症，即将与自己的丈夫和孩子,女孩,少女,千金阴阳两隔。但在她死前，艾丽莎想了一个办法始终陪伴在孩子身边：她给孩子,女孩,少女,千金准备了18份生日礼物，直到后者成年为止。而这18份礼物给老成,稳重,老练,练达,长大,发展,进步中的少女既带来的不仅是慰藉，还有对于家庭与生命的烦恼。

　　与梦中情人分离,离别,离别,分别,分离,别离,分散,分别,离别,分离后，玛尔塔爱上了一位艺术家。然而，对这个病弱女子和伙伴,好友,挚友,密友们来说，日常,生存,生计,日子却有些波折。

　　少年曼努埃尔被人利用去参加一场派对，当他察觉被骗时立刻逃离现场，一场夺命追逐随之展开，警察、亲人、前科罪犯轮番登场正邪难辨。皮耶尔弗兰切斯科·法维诺和托尼·塞尔维洛两位大卫奖影帝同台飙戏，入木三分的表演令人过目难忘。熊熊燃烧的山火和频频故障的电力设施则是危险环境和秩序失衡的绝佳隐喻。本片入围第80届威尼斯电影节主竞赛单元。

　　改编自美国J.凯恩的小说《邮差总按二次铃》，完成于1941年，在剧本必须由法西斯政府审查的拍摄条件下，维斯康提把这个通奸谋杀亲夫的畸恋故事，拍成充满绝望宿命气息的作品。
　　片中一方面是出身贫家的女主角，身不由己嫁给肥胖粗俗的酒店老板，她完全没有逃脱被豢养（并不时被羞辱）日常,生存,生计,日子的勇气，而男主角则是个流浪的无业游民，他经不起女主角的诱惑，犯下致命的罪行，艰困的社会日常,生存,生计,日子条件，明确烘托出男女主角各自别无抉择,挑选,取舍,取择、一拍即合的宿命孽缘。初执导演筒的维斯康提，在片中已经呈现,显现,体现,展现,呈现,显现,体现他后期作品中最大的特色：对人物不克自拔情欲心理的细腻描画，在饮食间两性对对方身体的凝视中，维斯康提把艰困的物质日常,生存,生计,日子和不受拘束的内心肉欲作了明确的并列，弥补了通奸过程的简略。

　　罗马，夏日，一队穿梭其中的游客。这座美得令人窒息的古老城池，正以一种神秘而冷艳的姿态诱惑着他们，让人心甘情愿地被这份精致得令人绝望的美丽所俘获，沉醉其中。然而在捷普·甘巴尔代拉（托尼·瑟维洛 Toni Servillo 饰）眼中，罗马却是一座孤寂,寂寥,冷寂,寥寂之都。65岁的捷普是一名成就,胜利,凯旋,成果记者，风度翩翩、魅力十足。年轻时代撰写的一本文学作品让他在早年就名利双收。他辗转在各样肆意妄为的奢靡与觥筹交错的社交之中，用一双冷酷到几近麻木的双眼，目睹这座绝美之城背后的空虚与隐秘。当女高音的咏叹调再次响起，游走在平民日常,生存,生计,日子与上层社会之间的捷普，起始,开端,肇始,启始重拾那些逝去的青春记忆，只有罗马之城仍依旧着她的冷淡,疏离,淡漠,疏远与华美，不曾转变,变化,蜕变,变迁。
　　本片斩获2014年第86届奥斯卡金像奖最佳外语片及2014年第71届金球奖最佳外语片两项大奖，并入围2013年第66届戛纳电影节主竞赛单元-金棕榈奖。

　　Indio（吉昂·马利亚·沃隆特 Gian Maria Volonté 饰）是一个穷凶极恶的通缉犯，他伙同他的团伙屡次作案，他有一个怀表，每次大开杀戒之前都会看一看表，表上有一个女人的照片。赏金猎人Manco（克林特·伊斯特伍德 Clint Eastwood 饰）正在追捕Indio，而另外一个赏金猎人Colonel Douglas Mortimer（李·范·克里夫 Lee Van Cleef 饰）也在追捕同样的目标。两人一起始,开端,肇始,启始都看对方不顺眼，后来才决心,打算,计划,准备一起追捕Indio。两人得知Indio准备去抢劫银行，于是定下计谋，让Monco加入Indio的团队，之后再和Mortimer来个里应外合。后来两人不慎被Indio所抓获。到底Manco和Mortimer能否除掉Indio，而Indio怀表里那个女人又和Mortimer有何联系？
　　本片为意大利导演赛尔乔·莱翁内 Sergio Leone执导的“通心粉”西部片。

　　回到家乡柏尔马拍摄的《革命之前》，是贝托鲁奇首次在人性探讨以外加进政治意识的作品。影片描述一个中产阶段的知识青年如何徘徊在理想与现实之间的犹豫感。他想和人谈革命，谈感情，但当他爱上他的姨母，却为这种感情觉得内疚和痛苦不安。终于他斗不过现实，和一个自己不大喜欢的少女成婚,完婚,婚配,嫁娶。影片虽不是贝托鲁奇的个人自传，但在电影里他却尽现上世纪六十年代的时代氛围，年少气盛的他在片中绝对是火气十足。

　　《爱情手册》系列是意大利大受欢迎的爱情喜剧片，每一集都由四个小故事组成，以群星阵容吸引眼球，第二部更邀请到了好莱坞影星好莱坞老牌影星罗伯特·德尼罗加盟，客串一位离婚后日常,生存,生计,日子在罗马的美国教授。该系列前两部分别在2005年和2007年推出，在本土收获了总计约4500万美元的票房。

　　A young woman who tries to face her biggest fears following the death of her best friend.

　　在萨尔沃五岁那一年，他的爸爸,父亲大人,爹爹,老父亲文森佐（马西莫·波波利齐奥 Massimo Popolizio 饰）锒铛入狱。自幼失去了妈妈,母亲大人,娘亲,老妈妈的萨尔沃沦为了孤儿，被姨母所收养，就此起始,开端,肇始,启始了形单影只寄人篱下的日常,生存,生计,日子。一晃眼多年过去，文森佐出狱了，此时的萨尔沃早已经不再是他离去,分离,离别,离别,分别,分离,别离,分散,远离,分离时那个什么也不懂的懵懂孩童了，父子之间的感情因为萨尔沃年岁的增长而产生了极大的裂痕。萨尔沃对文森佐的一切都感到困惑和恼怒,动怒,愤怒,气恼,动怒,震怒,暴怒，但这些声音最终还是化为了沉默。
　　文森佐和萨尔沃要前往意大利南部去完成一个任务，在这段不算顺利的旅途之中，他们终于得到了机会，去审视这段支离破碎的亲子关系，去审视他们各自的内心。

　　一段沐浴在西西里阳光下的夏日感情,爱情,情缘,情愫很快变为一段心碎的爱情故事，并迫使少年和少女迅速长大

　　一名年迈的足球铁粉正视过去的事实，同时奋力为自己和一位年轻的追随者创造截然不同的未来。

Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.